Review of DPI Show in London

On Thursday Howard and I attended the Digital Photo and Imaging Show at the Business Design Centre in Islington. My first impression on entering the show was one of disappointment as it seemed a little on the small side, however this was soon to change as I made my way around the show. There were a few manufacturers present who were showing their solutions and we managed to spend some valuable time, one on one with their reps.

On the software front there were a number of vendors showing their wares including Apple and Adobe. OnOne and Nik Software were also there showing their respective photoshop plug-ins and running continuous demos. A number of distributors and resellers were also on hand demonstrating other solutions. The live theatres from Adobe, Apple and DPI were running all day and were well attended, often with crowds spilling out into aisles.

Printer manufacturers were there in force with stands from Canon, Epson and HP well manned and equipped with the latest in large format printers. Nikon were notable in their absence, disappointing really as there were plenty of Pro Users in attendance.

There were the usual publications and associations present and it was nice catching up with some of them. The BPPA, BIPP and The SWPP were there looking for new members and spending time with existing members. Magazines such as F2, The BJP, Digital Arts Magazine and Macworld were on hand, giving out free copies and selling subscriptions.

I was pleased with Canon's presence at the show as they were demonstrating a start to finish capability which other manufacturers lack. My associate Howard Carson, noted that Canon was able to demonstrate a complete solution for Photographers from Capture, Acquisition through to output. In addition to their pro cameras and output solutions they also had their projectors and pro video solutions on hand for demo.

Other exhibitors included Skillset, who were there discussing their training programs for Digital Skills, photography and creative workflows. It's definitely worth checking them out. A number of retailers and resellers such as AJ Purdy, The Flash Centre, The Pro Centre and Rapid Group were there promoting their wares and services and selling discounted products and providing some excellent show specials.

Other Vendors included Wacom who were demoing their excellent tablet solutions. Computer Unlimited were also in attendance demoing solutions from Corel, Datacolor, Shiraz and Vertus.

The lecture program and seminar at the show was full and possibly offered many useful and valuable insights. Speakers presented on lectures and seminars useful to photo-libraries, portrait photographers, on documentary photography, celebrity shots, visual journalism and on the art of photography.

Overall the show was small in scale but big on delivery, We were able to spend some valuable time with the companies we wanted to see. I hope that next years show will be similar in nature but somewhat larger in scale. Nikon should really be there, as should a few more third party software and hardware vendors.

Datacolor’s Spyder3 Gets Price Reduction

Datacolor announced a price reduction for its Spyder3 range. As of June the 1st 2008, their award-winning Spyder3Elite is reduced in price from £175 to £155.99 whilst Spyder3Print is reduced by £60 to £253.99, including VAT. For more information on the Spyder3 range visit Datacolor.

Wacom Wins 2 Coveted Red Dot Awards

Wacom have won 2 Red Dot Awards for the Bamboo Fun Pen Tablet and their Cintiq 12WX hybrid interactive pen display. This is the second red dot award for the Bamboo range, as the first model in the series also received the same accolade in June 2007. The Cintiq 12WX features a high quality 12.1” screen, which is optimised for direct input using the ergonomically designed digital pen. With this form of interaction activities such as drawing, painting, sketching, storyboarding, finishing, retouching and compositing allow the creative to work much as they would on paper. For more information on the Bamboo Fun and the Cintiq 12WX visit Wacom.
For more information on the Red Dot award visit Red-Dot.org.

Akvis Relocate Headquarters To Canada

AKVIS Software Inc., the manufacturer of some excellent photo editing tools and plug-ins, has moved its head office to Vancouver in British Columbia, Canada. Founded in Russia, AKVIS is determined to improve their market presence by being able to get easier access to the North American software market.

Toshiba Tecra M9 Laptop review

Reviewed by: Mario Georgiou, June 2008
Manufactured by: Toshiba
Requires: Intel® Core™2 Duo Processor T7500 2.2 GHz,Intel® Wireless WiFi™ Link, Genuine Windows Vista® Business Edition, 2GB of 667MHz DDR2 RAM (maximum 4GB), 160GB hard disk drive, DVD Super Multi drive (Double Layer), 14.1" (1,440 x 900) display, NVIDIA® Quadro® NVS 130M mobile video card supporting TurboCache™ technology, Bluetooth version 2.0 plus Enhanced Data Rate (EDR)Wi-Fi™, 802.11a/b/g/Draft-N, 87 key keyboard, spill-resistant keyboard, type II PC card slot, 5-in-1 media card reader, VGA out, mic/headphone connectors, IEEE-1394 (FireWire), three USB 2.0 hi-speed ports, serial port
MSRP: US$1299.00

I currently own a terrific Toshiba m400 tablet PC. So when TalkToshiba called to tell me that they had a Tecra M9 available for review I jumped at the opportunity to find out what the latest generation of Toshiba laptops has to offer. The Tecra M9 is a laptop designed with business users in mind. The M9 ships with Windows Vista Business Edition.

The Toshiba Tecra M9 is a very clean looking machine, and the 14.1 inch screen looks a lot bigger than it actually is. With the higher than normal resolution for a 14.1" display I was quite comfortable with using it compared to similar laptops. The display on this notebook and the lid feel very secure, with very little flex. As a result I didn't experience any of the usual warping and momentary discolouration seen when adjusting the angle of the screen. The matte finish does a good job of diffusing any reflections. The vertical viewing angles are more limited than I would like, causing most dark or midrange colours to washout or completely disappear moving vertically above or below normal viewing angles. Horizontal viewing is somewhat better, but still washes out sooner than I've experienced with other laptops.

The Toshiba Tecra M9 is a very comfortable typing machine. The keys have a great feel, providing just the right amount of movement and feedback. Toshiba describes the M9's keyboard as spill resistant. The touchpad and pointer worked as expected, I also found that the left and right buttons used with the pointer control button were very nicely implemented. The keyboard and palm rest area exhibited a bit of movement when used compared to other laptops. However it wasn't enough to cause me any problems. The inclusion of a fingerprint reader for security also enhances the business-centric approach to the M9's design.

Moving around the M9, starting on the front, you will find the indicator light array, a wireless on/off switch, firewire connector, headphone/mic jacks, and volume knob. The left side of the laptop features a modem jack, Kensington lock slot, exhaust port, one USB port, PC-card Slot and the SD card slot. The back of the unit has a serial port, VGA connector, and AC plug port. The right side features two USB ports, the optical bay, and the LAN port.

The audio capabilities were what I expect from a laptop - clear and easy to hear. However I would always recommend using decent headphones for anything you really care to hear well. You can even try a pair of bluetooth headphones using the A2DP profile and the easy device discovery via Vista and Toshiba Bluetooth manager. The headphone jack had none of the telltale hiss and noise you would get from a sub-par connector, indicating good quality parts being used.

Starting up and shutting down the M9 was quick and painless. With this unit's 2GB of memory and the 2.2 GHz T7500 Intel Core 2 Duo processor and nVidia NVS 130M graphics card, I found no noticeable issues while using any of the standard productivity software or even the creative tools(and resource hogs) like Photoshop. Trying any of the graphically intensive games (like Crysis) was problematic and I found there was no point in attempting to squeeze any sort of decent gamely out of the M9 as the graphics capabilities weren't up to the task. It's not really much of an issue though, because the M9 is really meant to be a business machine.

Heat and noise didn't appear to be an issue at all for the M9. I kept the laptop running almost constantly for one day and found it quite comfortable to touch. The fan kept up quietly even when I took the laptop into a hot, noisy neighbourhood pub to test it out on a public wireless network.

Battery life was as expected, with the standard battery giving about 2.5 hours (on average) use. I did find the hard drive shock protection alarm a little on the sensitive side. The warning popped up with the slightest knock of the M9. This feature however can be disabled/enabled by pressing the Toshiba Assist button located next to the power on/off on the top of the keyboard.

Cons: Premature drop-off in display brightness. Somewhat oversensitive shock protection alarm. It's a business machine not a game platform, but a bit more graphics horsepower would provide a better all around experience with what is basically a very good laptop. Excellent screen resolution, but off-angle viewing could be better.

Pros: Nice spill resistant keyboard. Standard three year warranty. Excellent wireless support. Solid build quality. Runs Microsoft Office, Photoshop CS3 and most common business software very smoothly. I was initially a little afraid that the screen on the M9 would be a little on the small side, but after working with the unit for a few weeks I found that the high quality and high resolution more than met my needs. The Toshiba Tecra M9 is a nice business laptop that will more than do the job. Recommended

Quark Announce QuarkXPress 8

QuarkXPress 8 is nearly complete and will be available within the next two months. Already Quark are promising to provide a free upgrade to folks who purchase and register QuarkXPress 7 in the next couple of months. XPress 8 includes new pen and picture tools, new drag and drop features, better file handling of Illustrator files, and better control over typography and layout. For more information on what's new in XPress 8 visit Quark.

ACDSee Photo Editor 2008

ACD Systems have released ACDSee Photo Editor 2008, the next version of their easy-to-use digital photo editing and design software. The new version offers:
• Faster processing time
• More custom creative tools and options for resizing, cropping and masking
• Quick Web optimization & advanced printing functions
• Artistic effects that can be added, modified or deleted
• "Trim to shape" for quick-and-easy design templates
• Advanced journaling and text curving capabilities
Photo Editor 2008 is available for a 30-day trial ... for more info and to download a demo visit ACDSee.

DPI Show Reminder

For those of you who will be in and around London between the 26th and 27th of June, the Digital Photo & Imaging Show, taking place at the Business Design Centre in Islington, will the place to be. The DPI Show will provide pro-photographers and the whole photographic industry with a knowledge-based event where they can see and try the state of the art in creative tools and photographic equipment.

Exhibiting at the DPI Show are Adobe, Apple Solutions' Experts, BJP, BPPA, Canon, Colour Collective, CU, DataColor, Digital Arts, Digital Photo Solutions, Dreamtek, Epson, Hasselblad, HP, Macworld, Native Digital, Nik Software, OKI Printing Solutions, onOne, Pantone, Peartree, ProCentre, Profoto Ltd, Rapid Group, Republik Agency, Shiraz, Skillset, SWPP, Vertus, Wacom....
For more info visit The DPI Show.

Photomatix 3.0.3 Released

HDRsoft have released an updated version of Photomatix which includes several bugfixes.
Photomatix is a photo enhancement tool which deals with photography produced under difficult lighting conditions. Using Exposure Blending and Tone Mapping, images can be produced from multiple bracketed exposures, which offer a more balanced result. Photomatix 3.0.3 can be downloaded from the HDRsoft website. The upgrade from version 2.x to version 3.0 is free of charge. Download the Windows Version here and the Mac version
here...

FocalPoint 1.0 Released

onOne Software, Inc., announced the release of their new software plug-in, FocalPoint 1.0 for Adobe Photoshop and Photoshop Elements. FocalPoint is a selective focus and vignetting plug-in designed to help photographers easily blur and/or vignette areas of an image. It is available for immediate download at onOne.

Essentials 2 for iPhoto

onOne Software, Inc., announced the availability of Essentials 2 software for iPhoto users. Essentials 2 for iPhoto is a collection of four easy-to-use software tools based on technology used in the professional level onOne Software Photoshop® plug-ins PhotoTune 2.2, FocalPoint 1.0, PhotoFrame 3.1 and Genuine Fractals 5. Essentials 2 is designed to be used in iPhoto to help correct color, creatively blur a photo for dramatic visual impact, add creative borders and resize digital images for high quality large prints. Visit onOne for more info.

CHDK - Hacking Your Canon Point & Shoot

lifehacker.com have posted an excellent article on the Canon Hacker's Development Kit. CHDK is a free, open source project with which you can add features like RAW shooting mode, live RGB histograms, additional photographic settings, motion-detection, time-lapse, longer video recording and even games onto your existing Canon camera. The beauty of CHDK is that it is non-permanent and non-destructive, you can use when you want to; CHDK makes no changes to your camera. Installing CHDK entails having a couple of files added to your camera's memory card. Removing it involves simply restarting your camera without the memory card present.

UK Photographers Rights

Simon Moran and Linda Macpherson have announced the launch of the UK Photographers Rights PDF. The guide is intended to provide UK Photograpehrs with a short summary of the main legal restrictions on the right to take and publish photographs.

The guide was written by Linda Macpherson LL.B, Dip.L.P., LL.M, who is a lecturer in law at Heriot Watt University. The guide is a 2 page PDF, which can be printed out on the front and back of an A4 page. The guide is intended as an overview of the current legal situation in the UK for photographers, it is not a definitive bible of UK law. It can be downloaded directly from sirimo.co.uk, visit Simon Morans site for other useful information and articles.

PhotoAcute Version 2.8 Released

PhotoAcute have released Version 2.8 of PhotoAcute Studio, their Super Resolution based application for enhancing digital images. Their Super Resolution technology is designed to process sets of photographs taken in continuous mode to produce high-resolution, low-noise pictures. It increases image resolution, removes noise without losing image details, corrects image geometry and chromatic aberrations and expands the dynamic range. Visit http://www.photoacute.com/ for more information.

Two Thousand Photographers Test ACDSee Photo Editor

ACDSee Photo Editor has entered the final stage of Beta Testing, with over 2000 photographers involved in testing it. ACDSee Photo Editor 2008, will be an easy-to-use digital design and layout application created with avid photographers and scrapbookers in mind. The application comes with custom creative tools and exclusive designer templates. Look for a summer release.

Apple Release Their Aperture Plug-In SDK

Apple have released their free Imaging Plug-in Software Development Kit (SDK) for Aperture. It is now available through the Apple Developer Connection (ADC). Interested developers should visit the ADC website to download the SDK.

Xara Release Version 4 of Xara Xtreme and Xara Xtreme Pro

Xara Xtreme and Xtreme Pro have been updated to Version 4. Xara is one of the fastest and easiest creative tools to use. The flexibility of Xara Xtreme with its raster and vector capabilities is something worth trying. It is capable of drawing faster than pretty much any other package out ther. You can create 3D text, edit photos non destructively, create websites and even export flash animations. It also supports Photoshop plug-ins. Pop on over to the Xara Website to find out more and download a demo.

Adobe Releases Lightroom 1.41 and Camera Raw 4.4.1 Updates

Lightroom Product Manager Tom Hogarty announced the release of updates to the Photoshop Lightroom, Photoshop Camera Raw plug-in and DNG Converter to correct problems found in Lightroom 1.4 and Camera Raw 4.4. The revisions address several issues including:

Lightroom
Lightroom 1.4 incorrectly modified the EXIF time date field of images that had a metadata update applied. This incorrect modification does not appear in Lightroom or Bridge and is only viewable through third party EXIF tools. This error has been corrected in Lightroom 1.4.1 and all files in a Lightroom catalog that have been incorrectly modified will be corrected on their next metadata update. (Metadata can be updated by selecting the files in the Library grid view and choosing Command or CTRL + S to save and update the metadata.)

Olympus JPEG files could render incorrectly in Lightroom 1.4, displaying an artifact in the exported file.

Any conversion to DNG in Lightroom 1.4 (Windows Only) would cause the DNG file to become unreadable by Lightroom’s Develop Module or Camera Raw 4.4 in Photoshop. The issue has been corrected and files can be converted to DNG again in order to resolve the issue for existing files. Returning to the original native raw files is not necessary. The affected DNG files can be selected and converted again using the DNG Converter 4.4.1 available at www.adobe.com/dng/.

This process is not required but recommended to ensure that a correct validation value is stored within the DNG files.

Lightroom 1.4 provided degraded import performance relative to Lightroom 1.3.

Camera Raw
Camera Raw 4.4 incorrectly modified the EXIF time date field of images that were saved as TIFF or JPEG files from the Camera Raw dialog. This has been corrected in Camera Raw 4.4.1

Olympus JPEG files could render incorrectly in Camera Raw 4.4, displaying an artifact in the exported file.

The updates have been posted to the following locations:
Lightroom 1.4.1 - Mac - Win.
Camera Raw 4.4.1 - Mac - Win.

Digital Photography & Imaging Show 2008

The DPI show is a new event dedicated to digital photography and imaging. It is being held on June 26th & 27th at the Business Design Centre in Islington in North London.

The DPI show is designed to attract thousands of pro-photographers and agencies active in photojournalism, sports/action photography, portraiture, wedding and lifestyle photography, and those working in fashion and advertising, still life and macro. Industry leaders will come together to create a ‘Live Studio’, building a full-feature facility at the show with ‘celebrity’ photographers illustrating the facilities and capabilities of the studio.

A busy seminar programme will present 40-minute sessions on latest products and solutions so you can receive first-hand expert advice and tips from specialists in the technologies and processes, hear of case studies and then visit the exhibition area for hands-on experience.

Our conference programme will gather groups of speakers to look at improving workflow, at manipulating and storing images and at managing the demands of a modern photographic studio.

The show will feature stands from Industry leaders such as Adobe, Apple Solution Experts, Epson, HP, Hasselblad, Color Confidence, Extensis, A J Purdy, The SWPP, onOne and a whole lot more ... Many publications will also be represented, including Digital Photographer, Digital Arts, The BJP, Digital Camera and Macworld.

You can register for free at http://www.dpishow.com/

onOne Software Announces Plug-in Suite 4

onOne Software, Inc., announced the May release of their Plug-in Suite 4 software for Adobe Photoshop. Plug-In Suite 4 comprises of full versions of six essential software tools – Genuine Fractals 5 Print Pro, PhotoTools 1.0 Professional Edition, PhotoFrame 3.1 Professional Edition, Mask Pro 4.1, PhotoTune 2.2 and FocalPoint 1.0. The package should be available in early May to new users for $499.95, whereas existing users of Plug-in Suite versions 1, 2 or 3 can upgrade to Plug-In Suite 4 for only $199.95. For more information on Plug-In Suite 4, please visit onOne Software.

Adobe To Release CS4 64Bit Editions

Adobe have announced that they will be releasing their CS4 line in 64Bit Versions. They will not however be releasing the Mac OS X version in 64Bit until after the Windows Version. Where the 32 bit versions can generally only currently support 3-4 GB depending on the OS and application. After Effects supports up to 2 GB per processor on a multicore machine by assigning different processes to different cores. The 64-bit versions of Windows and Mac OS X 10.5 will potentially be able to access up to a theoretical limit of over 17 billion GB of RAM.

onOne Announce Free Liquid Resize Product Preview

onOne Software, Inc., announces today the availability of its Liquid Resize product preview. Available for immediate download at the products preview page. Their Liquid Resize software is a ground-breaking way to resize images using a technique known as "seam carving" to reduce the distortion that typically occurs when manipulating the aspect ratio of an image. The Technology is really interesting, check it out.

Adobe Release Lightroom 2.0 Beta

Adobe have made Version 2 of Lightroom available as a public beta. The beta is available as a 30 day tryout, for everyone who wants to try it, and even longer for registered users of Lightroom 1.x.
It is suggested that everyone read the Release Notes document before using it.

Beta Eligibility
Q: Who is eligible for the Lightroom 2.0 beta?
A: All Lightroom 1.0 customers. Lightroom 1.0 customers can download and install Lightroom 2.0 beta for use throughout the beta program
Q: What about customers new to Lightroom?
A: Anyone can download the Lightroom 2.0 beta and try it for 30 days
Q: How can new customers try the beta for the entire program?
A: An invitation program through labs.adobe.com allows Lightroom 1.0 customers to invite friends to try the beta beyond the 30 day trial until the beta expiration date
Q: When does the beta expire?
A: August 31, 2008

IMPORTANT NOTES, PLEASE READ
Primary Known Issues
Lightroom 2.0 beta will not upgrade Lightroom 1.x libraries. The beta is intended to be used for testing and feedback purposes. Lightroom 1.x and 2.0 beta libraries will be migrated to the finished version of Lightroom 2.0.
While data loss is not expected, this is a very early ‘beta’ quality build and you should always work on duplicates of files that are securely backed up.
Lightroom 2 beta will not overwrite or interfere with a machine that currently has Lightroom 1.3.1 installed.
Develop settings applied in Lightroom 2.0 beta are not guaranteed to transfer correctly to the final version of 2.0. This is particularly true for localized corrections.
The new Photoshop integration functionality is only available with Photoshop CS3 (10.0.1) and should only be used for testing purposes. Metadata associated with the original file may not carry over to the subsequent file saved from Photoshop
Additional known issues are listed in the release notes.

New Features

Library
Streamlined Library Layout
Smart Collections
Powerful Filter Bar to search and refine images
Suggested Keywords for simplified keywording
10k pixel size limit raised to 30k pixels
Output-based Collections

Multiple Monitors:
-Four flexible modes for an alternate window: Grid, Loupe, Compare, Survey(Check out the Live Loupe mode!)

Photoshop CS3 Integration:
Open files in Photoshop as a Smart Object
Select multiple images to merge as a Panorama
Merge multiple exposures into a single Photoshop HDR image
Load multiple files or virtual copies into Photoshop as separate layers in a single document.

Export Functionality:
Auto-add exported images to the Lightroom catalog
Auto Output Sharpening for images on export

Develop Module
Non-Destructive Localized Correction for dodging and burning specific areas of an image
Post Crop Vignette
Basic Panel Keyboard Shortcuts
Improved Auto Adjustment
Improved memory handling through 64-bit support on OS X 10.5 and Vista 64-bit.(Not limited to develop module)

Print Module
Picture Package for multi-page layouts
Print Module output directly to JPEG
Enhanced Print Sharpening based on PhotoKit Sharpener algorithms
16-bit Printing for Mac OS X 10.5

Additional Resources
Lightroom video tutorials by Julieanne Kost: Lightroom 2 beta Tutorial Part I and Lightroom 2 beta Tutorial Part III. (Part II is on the way)
Lightroom 2 beta preview by Ian Lyons
Lightroom Tasmania Adventure
Lightroom 2 beta review by Uwe Steinmueller at OutbackPhoto.com.
Lightroom 2 beta review for our French-speaking photographers
Photoshop Cafe provides a feature review and 1 hour training video.

Thanks to Tom Hogarty at Adobes Lightroom Journal for the info posted above.

Adobe Launches Free Photoshop Express Beta

Adobe have launched a public beta of Photoshop Express, their new photo storage and editing application. This free solution allows users to store up to 2GB of images and edit them with a number of Photoshop’s most popular image editing tools.

Users can upload their images to Photoshop Express and use the rudimentary editing tools to edit and modify images. This solution may be excellent for users with basic requirements but will lease anyone else wanting much more.

Photoshop Express also features slide show options and offers users their own Adobe hosted, online gallery. Images hosted on the service can also be used on blogs or social networking sites such as Facebook. Adobe plan to expand the service/tool as it gets feedback from users of the open beta. To sign up for Photoshop Express visit Adobe’s website.

Nik Software & Vertus - Color Efex Pro 3.0 and Fluid Mask 3 Software Bundle

Nik Software, Inc. and Vertus announced a new software bundle which offers photographers and creative professionals Color Efex Pro 3.0 Complete Edition from Nik Software and Vertus’ Fluid Mask 3. These tools offer excellent capabilities for doing image extractions and creative enhancements. Available on both companies’ websites as an electronic download, the bundle is available for $429.95. For download and discount information please visit niksoftware.com or vertustech.com.

Apple Release Aperture 2.1 Update

Apple have released Aperture Version 2.1, a free update which includes an Apple developed plug-in. The plug-in is Dodge & Burn, a tool which adds brushed based tools to lighten or darken, affect contrast and saturation and that can sharpen or blur. Apple will be working with third-party plug-in developers to expand the capabilities with more plug-ins. Visit the Aperture page at Apple

Manfrotto 190XPROB Tripod Review

Mario Georgiou, March 2008
Manufactured by: Gruppo Manfrotto S.r.l. (a subsidiary of Vitec Group PLC), Manfrotto USA (distributed by Bogen Imaging also owned by Vitec Group)
Requires: N/A
MSRP: US$170, UK£110
The Manfrotto 190XPROB is the latest take on the base model 190, a tripod that has been in the Manfrotto line for many years. This 2007/2008 incarnation seems to incorporate all of the excellent characteristics of its predecessors and adds a couple of important new features. The 190XPROB is a black anodized tubular aluminum tripod with a three-faceted adjustable center column. The tripod has three-section legs made of 16mm, 20mm and 25mm diameter high strength extruded aluminum with a round cross section. Each section is retained or locked by Manfotto's patented flip-lock pressure leg locks. At 1.8kg (a little under 3.9 lbs) the tripod is a lightweight. Load capacity is 5kg (11 pounds, plus a head) making it broadly useful for a wide range of SLR and DSLR body and lens combinations.

In my recent review of the Manfrotto 468MGRC0 Hydrostatic Ball Head I mentioned that I had replaced my old tripod with something more in keeping with the high standards I try to achieve and maintain. I think it's most important to follow a strategy when selecting a tripod and head: a) visit the makers' web sites to figure out what they recommend for your camera gear, b) match size, footprint and general weight of each item to create the lowest possible balance point — there are few things worse than a head that is too heavy for the tripod, c) how much weight you want to carry and what sort of tripod fits your travel, location and shooting needs, d) decide which models among the ones remaining on the list will suit your needs, and e) visit local stores in order to check out the models you've short-listed. After much consideration I decided on the new aluminium 190XPROB. For my needs, this model's center column design was very important. Swing the faceted centre column into a horizontal position by extending it fully and pressing a release button.

The center column feature when combined with the fully adjustable and stable leg geometry means you have a tripod which provides excellent adaptability to most environments. After all due delibration and research I finally purchased the 190XPROB in a store in Cambridge, England during a photographic road trip in October 2007. Having got to grips with the tripod in very short order, I very quickly realized I'd made the right decision. I ended up using the tripod in marshland, on the side of cliffs, in torrential downpours, on large boulders and in a couple of streams, all without any real issues.

The Manfrotto 190XPROB is beautifully designed and well constructed. The legs feature flip-lever pressure leg locks, which make opening, positioning and closing fast and easy. Lock pressure is adjustable using the supplied Allen/hex wrench. The user adjustable mechanism makes it a pleasure to use. The legs can also be adjusted to four different angles (25°, 46°, 66° and 88°), allowing for a very flexible geometry and an extremely stable platform from which to take your photos.

The Manfrotto 190XPROB stands about 48in/122cm tall in its fully extended mode, center colum down. Extending the center column adds another 9.5in/24cm. You can invert the center column allowing you to shoot upside down. The patented design of the center column allows the photographer to position the camera on the head horizontally or vertically and, when used with a good ball or 3-way head, offers a platform which is perfect for macro work, product or table-based photography, low angle shooting or any work which requires the camera to be positioned off center.

The adaptability of this tripod also makes it ideal for photographers who have to sit down for long periods and for those who are wheelchair bound. The only real gripes I have are that Manfrotto has chosen not to include a carrying strap and ground spikes.

(Ed. Note: In early March 2008 we loaded another 190XPROB with a Markins Q20 ball head and a very heavy Nikon D3/300mm f/4 rig for a semi-frozen marshland walkabout just outside of Toronto. We also brought along a couple of shock cords to make boot loops to add some downward pressure to the rig to help combat instabilities when set up on unstable ground and when shooting in gusting wind conditions. When taking into account the downward pressure of the stabilizing shock/bungee cords, we easily exceeded the overall load rating of the tripod by at least 3x but it worked perfectly. Manufacturers' load ratings are conservative — we've obtained similarly excellent 'overloading' performance from a variety of Benbo, Benro, Gitzo, Hakuba Carmagne and other Manfrotto models.)

Cons: No ground spikes or carrying strap included.
Pros: The Manfrotto 190XPROB is extremely stable. Versatile leg and column adjustments don't compromise stability. Good vibration damping when matched with the right head. The Manfrotto 190XPROB tripod is ideal for use with a wide range of heads from Acratech, Arca Swiss, Gitzo, Kirk, Manfrotto and Markins. Great leg locks that never slip even when overloaded. Other than a couple of minor issues (see Cons above) I have to say the 190XPROB is worth every penny. All I want now is to get a carbon fibre version (for extended trekking) and I'll be very happy camper indeed. A great choice for amateur, semi-pro and professional photographers. Highly recommended.

It's not the Camera, It's the Photographer

Make the statement "It's not the camera, it's the photographer" during any discussion or debate on the relative merits of one piece of camera gear over another and you will surely end up in some sort of argument. Really.

We don't advocate any attempt to use semi-operational used gear which only possesses the virtue of being cheap to acquire. We don't advocate throwing a top-of-the-line digital SLR (or any other top-rank SLR) at a novice photographer. We do advocate that photographers should educate themselves about the art and craft of photography at every opportunity, and regularly consider how well their gear is serving them. Buy the best you can afford, but buy only what you can afford.

Professional photographer Ken Rockwell posted an article on his web site about this subject. Professional photographer Michael Reichman posted a rebuttal article on his own web site. Unfortunately, neither photographer seems to be able to engage in the debate without resorting to hyperbole. So since I've been making photographs longer than Rockwell (but not quite as long as Reichman), I feel confident enough to offer a moderating opinion.

Pros, semi-pros and amateurs are working with Olympus, Pentax, Sony, Nikon, Canon, Leica, Kodak and Sigma digital SLR bodies attached to all manner of lenses. All of these photographers make great photos with all of this equipment. Occasionally, even great shots taken with compact and so-called prosumer cameras manage to sneak through. Whether or not a photo is sharp enough and large enough to be credibly reproduced at some large size in a high-end coffee table book or on an art poster is not, in my opinion, the measure of its value as a good (or bad) photo, and the lack of gear to capture such a photo is not a measure by which to judge your existing equipment. Sorry Mr. Reichman. On the other hand, moderately attractive balances of composition, color and subject in moderately good focus during the brief and only time of day in which some cheap compact has any chance of capturing a decent photo is not the measure of a truly versatile camera or satisfying photography experience or a useful choice of gear. Sorry Mr. Rockwell. I think Reichman and Rockwell both use excessive amounts of what can only be described as hyperbole which serves to inflame the debate rather than qualify it. They're both doing a good job of attracting traffic to their respective web sites.

Using only the best gear you can afford has a very special effect on most people. As you engage in a photography experience which is based on an affordable start, it has the effect of bringing you closer to your gear in ways which make it easier for you to judge which exposure settings will achieve the best result. The longer you work with your chosen, affordable gear, the more you'll find out about its flaws and the more you'll find ways to make better and better photos. Use that gear for a couple of years and you may never part with it. Ever. The reason? It's mainly because you will certainly use that gear at some point to make some photos which have deep and emotional meaning and value for you. Not meaning and value worthy of posting and adoring comments on photo.net or redbubble.com (although that surely will happen too), but rather meaning and value for you personally. That's the wonderful thing about photography though — it can be shared or not shared.

Our quest for public approval of so much of what we do has extended to photography no doubt. The problem is that photography in and of itself is often a very personal experience. My father-in-law has posted on his photo.net page a rather close-up photo of an elephant. The photo is nice enough, but not great. It's just a photo of an elephant. But listen for a few minutes to my father-in-law's story about how the huge wild elephant surprised them by lumbering out of dense bush just a few metres away, how his guide, photography partner & friend reached immediately for the rifle in case the obviously tense bull elephant charged them, and how the situation diffused rapidly after the bull determined they were no threat and then turned to lumber down to a herd near a watering hole, and the photo causes a different reaction altogether. You turn again to the photo and look at it with new eyes. Wonderful. The point is that the photo could have been taken with almost any vaguely decent camera, but you had to be physically in that location in Zimbabwe to actually make the shot.

That last point is what really separates good photographers from snapshooters. You have to go to your subjects — they don't come to you. Fly, drive, walk, ride or scoot to wherever and bring whatever gear will do the job. You don't bring a compact point & shoot to a landscape trip; you don't bring a huge lighting setup to a kid's party. Buying and using the gear you can afford never means buying the cheapest used gear that still technically qualifies as camera equipment. Rather it means buying the best gear you can afford which is also appropriate to your photography needs. After that, it's all you.

Sony Alpha A900 Slated For Fall Release.

Sony are showing their new 25 megapixel Alpha A900 at Photo Imaging Expo 2008 in Japan. The new camera is not slated for released until this Autumn but folks are already speculating on how Canon and Nikon will respond. Myself, I'm interested only in finding out more on the cameras performance which includes features like a full frame sensor, Liveview and a HDMI port. Visit the MasterChong blog where there is some excellent coverage and photos.

Manfrotto 468MGRC0 Hydrostatic Ball Head Review

Reviewed by: Mario Georgiou, March 2008
Published by: Manfrotto Group a division of Vitec Group PLc
Requires: An SLR or digital SLR camera
MSRP: US$299.95, CAN$399.99, UK£220, 240.00€

Despite the claims of some photography pundits, you certainly do need a stable shooting platform for your camera in many situations. OIS, IS and VR can't help you when shutter speeds drop to seconds.

A few years ago I returned to the UK from Canada. Unfortunately, I left a vital piece of photographic equipment in Canada. For years I had used a Manfrotto 074 tripod with the Manfrotto 029 Deluxe Three-Way Pan Head. I gave this fave piece of kit away to an old friend for reasons which escape me at the moment. It was probably an emotional departure exchange (or, ahem, maybe I owed him some money). To my regret when it came to replacing it, I cheaped out and settled for a consumer-grade head which was poorly constructed in comparison to the old model 029. Sometime in September of 2007 I decided to reinvest in a new tripod and head system. Having spent some time researching the various options I decided to opt for the 468MGRC0 Hydrostatic Ball Head from Manfrotto, which incorporates their revolutionary and easy to use hydraulic ball locking system designed for the 468MG. The Manfrotto 468MGRC0 was picked up for me at Henry's in Toronto, who are exceptionally helpful. This head is packaged with the excellent Manfrotto RC0 Hexagonal Quick Release Plate system. The hex plate makes it ideal for a quick release, supports heavy loads, and provides secure locking and flexible positioning.

I also opted for the Manfrotto 190XPROB tripod which I will cover in another review. All I can say now is that it is a nice combination. Technically the 468MGRC0 borrows the popular features found on Manfrotto's standard range of ball heads such as independent pan and tilt locks with a 360° pan movement and +90°/-90° tilt movement. To keep weight low, the head is made of magnesium. To provide smooth adjustment movements the 2" aluminum ball is Teflon coated. For additional control, a calibrated adjustable tension knob allows you to preset the ball friction to suit your camera weight so that you can remove your hands from the camera without risking any unwanted movement.

The Manfrotto 468MGRC0 is really easy to handle and I only needed a few days of field use to adjust to its superb controls. The inclusion of integrated liquid levels on the head makes it really easy to set up for both studio and field work. The control knob is a good size, has a soft feel and the tension can be adjusted to your own preference for locking the camera. The engraved panoramic base is graduated for easy rotation of your camera for generating panoramics. I wouldn't use the head in the same way as I did the 029 Deluxe Three-Way Pan Head because the 468MGRC0 does not quite have the refined control of my old 029 head or the new Manfrotto 3D Pro Head 229, both of which are ideal for shooting virtual tours and 360 degree panoramics.

The Manfrotto 468MGRC0 is an excellent piece of kit which is easy to use and faultless in both design and operation. The control surfaces and knobs are comfortable in any environment and require only the most subtle of touches even in cold and wet weather or even whilst wearing gloves or mitts.

(Ed. Note: During a two week photography shoot in southern England during October 2007, Mario and I put the Manfrotto 468MGRC0 through muck, dust, high winds, rain, hail, torrential downpours and a lot of bumps, bangs and grinds. The tripod and this excellent head functioned perfectly.)

Cons: Not recommended for use in work where fine adjustment accuracy is essential such as controlled panoramics.

Pros: The Manfrotto 468MGRC0 with its quick release capabilities is the ideal complement for the landscape and field photographer. Large controls. Easy to use. Levels are integrated and well placed for balancing your landscapes and other photos. As of this writing I've been using it for about six months and have yet to experience any urge remove it from my tripod. Anyone working with a professional or semi-professional SLR or digital SLR camera and who wants a high quality, easy to use head for their photography, needs this excellent piece of kit. Highly recommended.