Pics, Pixels and People - Covering photography, photographers, imaging, technology, tidbits, news and reviews...
Tuesday, February 12, 2008
Apple Releases Aperture 2
Apple have released Aperture 2 with over 100 new features ... these features include the following new features; User Interface, RAW Image Quality, Compare and Select Tools, Workflow improvements, new Image Processing Tools, Photo Management tools, Print and Web Publishing and AppleScript improvements. The full list and details of improvements can be found at the new features page at Apples' Aperture section on their site. There have been some notable improvements with support for tethered shooting, enhanced imports and image tuning capabilites and a few features taken out of the pages of Lightroom, Apple have even reduced the price to £110 plus VAT. Owners of previous versions can upgrade to Aperture 2 for £55 plus VAT.
Sunday, February 10, 2008
Nikon D300 Digital SLR Camera Review
The Nikon D300 Digital SLR is a 12.3 megapixel, CMOS APS-C size (DX) sensor, 14-bit color camera. It features a high resolution (922,000 pixel) 3" LCD rear monitor suitable for spot proofing, switchable Live View through the rear LCD, weatherproofing, a 150,000 actuation synthetic shutter, UDMA high speed CompactFlash card support, a new CPU (the EXPEED processor), a switchable 51(!) point auto focus system, automatic face recognition and focus tracking by color, customizable focus calibration to accommodate focus variations in up to twenty different lenses, scene recognition, HDMI high definition video output to high definition televisions and display devices, Active D-Lighting for automated in-camera shadow & highlight control of high dynamic range (HDR) scenes, and extremely fast operation. There's lots more, but you get the idea. The Nikon D300 is an awful lot of camera. Read the full review at Kickstartnews
I've been shooting with the Nikon D300 Digital SLR camera for several weeks, so it's time to stop having so much fun for a short while and start writing. The problem is, I just don't want to put away the camera. It has its quirks and could use a bit of minor improvement in a couple of areas, but to date is the most complete digital SLR I've ever seen. My perspective is based on analysis of image quality, feature sets, hardware quality, ergonomics and general usability compared with the top-of-the-line digital SLRs from Canon (EOS 40D), Fuji (Finepix S5), Leica (Digilux 3), Olympus (E3), Pentax (K10D, K20D) and Sony (a700). If the goal of photography is to make photographs, then the Nikon D300 does the best job of any camera, except for the much more expensive Nikon D3, Canon 1D Mk III and Canon 5D, at just getting out of your way and letting you do that. Even in a direct comparison with the wonderful Canon 5D full frame sensor powerhouse, the D300 is its equal in low noise, low-medium ISO shooting, and is obviously better at image proofing and review using the glorious, bright, high resolution 3" LCD which remains almost reason enough by itself to purchase a D300. The days of using the camera LCD to review a shot you just took and never being sure if it's color balanced or properly focused are gone. The D300 LCD screen is a true monitor with the resolution, clarity and color depth that photographers have been demanding for many years.
The Nikon D300 Digital SLR, coupled with a selection of Nikon lenses, is everything you'll ever need as a snapshooter, amateur photographer, serious photography hobbyist or general photography professional. The D300 is weatherproofed which means the camera can function just as easily and at just as high quality as you'll get from it indoors. Ergonomically, the camera fits most hands well. Unusually, we found that even people with small-to-medium size hands found the camera comfortable to use, while a couple of testers with very large hands also reported the same great comfort levels over hours of continuous use. Only younger kids and people with very small hands will experience any problems with the D300 control layout, grip or body weight. We shot a huge and varied selection of subjects: wildlife at a local conservation area, sports at a local arena - hockey and volleyball, portraits of family members, urban locations, night shots, street scenes, textures, products being prepared for eBay listings, and in miserable weather, great weather, indoors, mixed lighting and you name it. We did the vast majority of our shooting with four lenses: Nikkor 12-24mm f4 DX wide angle zoom, Nikkor 18-200mm f3.5-5.6 DX VR zoom, Nikkor 17-55mm f2.8 DX professional zoom, and the Nikkor 105mm f2.8 VR professional prime lens.
The Nikon D300 digital SLR is ready to shoot instantly. No matter what mode you select or leave the camera in, turn it on and it's ready to go. Controls are responsive and provide positive feedback. Novice or pro, you can feel exactly how the camera is reacting to your handling and input. Novices may leave the notification beeps on for the first few days or weeks of use, but then the D300's smart design and easy handling will likely allow even still slightly nervous beginners to shut off the beeps and rely instead on the camera's mechanical sounds and natural feedback. In a lighter weight body, Nikon has actually enhanced the tradition of superb tactile feedback pioneered and revered in the FE, F4, F5 and F100 and continued through the D100/200 and the D1/2/3 bodies. I look forward to picking up the D300 and using it in any environment because it feels great and secure in-hand and because it offers controls which are smartly placed, easy to activate and well configured. All in all it's a pleasure to use.
Cons: Auto ISO is not automatically turned off when camera is set to manual (M) mode. Low noise at all normal ISO settings, but performance should be better still above ISO800.
Pros: Superb handling, ergonomics and image quality. The gorgeous high resolution LCD is a wonder to behold. Live view works well. Sensor cleaning function is very useful. Color accuracy is remarkable. A professional camera which can easily be used by amateurs and photography hobbyists. Read the full review at Kickstartnews
I've been shooting with the Nikon D300 Digital SLR camera for several weeks, so it's time to stop having so much fun for a short while and start writing. The problem is, I just don't want to put away the camera. It has its quirks and could use a bit of minor improvement in a couple of areas, but to date is the most complete digital SLR I've ever seen. My perspective is based on analysis of image quality, feature sets, hardware quality, ergonomics and general usability compared with the top-of-the-line digital SLRs from Canon (EOS 40D), Fuji (Finepix S5), Leica (Digilux 3), Olympus (E3), Pentax (K10D, K20D) and Sony (a700). If the goal of photography is to make photographs, then the Nikon D300 does the best job of any camera, except for the much more expensive Nikon D3, Canon 1D Mk III and Canon 5D, at just getting out of your way and letting you do that. Even in a direct comparison with the wonderful Canon 5D full frame sensor powerhouse, the D300 is its equal in low noise, low-medium ISO shooting, and is obviously better at image proofing and review using the glorious, bright, high resolution 3" LCD which remains almost reason enough by itself to purchase a D300. The days of using the camera LCD to review a shot you just took and never being sure if it's color balanced or properly focused are gone. The D300 LCD screen is a true monitor with the resolution, clarity and color depth that photographers have been demanding for many years.
The Nikon D300 Digital SLR, coupled with a selection of Nikon lenses, is everything you'll ever need as a snapshooter, amateur photographer, serious photography hobbyist or general photography professional. The D300 is weatherproofed which means the camera can function just as easily and at just as high quality as you'll get from it indoors. Ergonomically, the camera fits most hands well. Unusually, we found that even people with small-to-medium size hands found the camera comfortable to use, while a couple of testers with very large hands also reported the same great comfort levels over hours of continuous use. Only younger kids and people with very small hands will experience any problems with the D300 control layout, grip or body weight. We shot a huge and varied selection of subjects: wildlife at a local conservation area, sports at a local arena - hockey and volleyball, portraits of family members, urban locations, night shots, street scenes, textures, products being prepared for eBay listings, and in miserable weather, great weather, indoors, mixed lighting and you name it. We did the vast majority of our shooting with four lenses: Nikkor 12-24mm f4 DX wide angle zoom, Nikkor 18-200mm f3.5-5.6 DX VR zoom, Nikkor 17-55mm f2.8 DX professional zoom, and the Nikkor 105mm f2.8 VR professional prime lens.
The Nikon D300 digital SLR is ready to shoot instantly. No matter what mode you select or leave the camera in, turn it on and it's ready to go. Controls are responsive and provide positive feedback. Novice or pro, you can feel exactly how the camera is reacting to your handling and input. Novices may leave the notification beeps on for the first few days or weeks of use, but then the D300's smart design and easy handling will likely allow even still slightly nervous beginners to shut off the beeps and rely instead on the camera's mechanical sounds and natural feedback. In a lighter weight body, Nikon has actually enhanced the tradition of superb tactile feedback pioneered and revered in the FE, F4, F5 and F100 and continued through the D100/200 and the D1/2/3 bodies. I look forward to picking up the D300 and using it in any environment because it feels great and secure in-hand and because it offers controls which are smartly placed, easy to activate and well configured. All in all it's a pleasure to use.
Cons: Auto ISO is not automatically turned off when camera is set to manual (M) mode. Low noise at all normal ISO settings, but performance should be better still above ISO800.
Pros: Superb handling, ergonomics and image quality. The gorgeous high resolution LCD is a wonder to behold. Live view works well. Sensor cleaning function is very useful. Color accuracy is remarkable. A professional camera which can easily be used by amateurs and photography hobbyists. Read the full review at Kickstartnews
Nikon Coolpix P50 Digital Camera Review
The Nikon Coolpix P50 is an 8.1 megapixel, 3.6x zoom, f2.8-5.6 camera featuring a 4.7-17.0mm zoom lens. The lens actually amounts to a 28-102mm standard-to-medium zoom when you take into account the crop factor introduced by the small image sensor. The P50 contains an electronic version of Nikon's patented Vibration Reduction (VR) lens stabilization system, and a large 2.4", 115,000 pixel LCD. The top of the camera sports an optical viewfinder, mode selector dial, shutter button and on/off button. The Nikon P50 is almost identical in size to and somewhat lighter than its P5100 top-of-the-line sibling. The back of the camera keeps all other external controls clustered vertically on the right side: a zoom rocker control, playback button, command wheel (for timer, macro, flash control, EV exposure compensation), menu button and delete button. The bottom of the camera offers a plastic-thread tripod mount, and a trap door behind which you'll find the battery compartment and the SD memory card slot. Nikon has positioned a dock connector at the back of the bottom plate. The mini-USB connector is located behind a rubber snap-in door on the upper right end of the body. The flash indicator and auto-focus lock indicator LEDs are located in a column next to the viewfinder bulge. The Nikon P50 has a prominent grip bulge on the right side which is covered with a good quality piece of textured, molded rubber providing excellent feel and control. The upper right end also has a protruding metal tab for use with a neck or wrist strap.
If the Nikon P5000 and P5100 are prosumer cameras (aimed necessarily at serious point & shoot photographers and also at amateurs and semi-pros who need a point & shoot backup camera), then the P50 is an enthusiast's camera. The differences between the entry level P50 and the masterful P5100 are obvious. The P5100 has a hot shoe for Nikon external flashguns, the P50 does not. The P5100 has selectable Auto, Aperture, Shutter, Program, Manual, Scene and VR modes and controls, while the P50 offers Auto, Program, Manual and Scene modes and controls. The P5100 has a finely stepped rotary zoom control; the P50 has a more coarsely stepped rocker switch zoom control. The P5100 is built around a cast magnesium body shell; the P50 is built around a sturdy polycarbonate shell. The P5100 offers a slightly better lens and a 12.1 megapixel image sensor; the P50 lens provides a more useful zoom range and an 8.1 megapixel image sensor. The P50 costs $150 less than the P5100. Hmmm. Tough decision.
Let it be stated above all else that more megapixels don't automatically mean better photographs. I'll take the clean, relatively noise-free 8.1 megapixels of the Nikon Coolpix P50 over the slightly noisier, but greater number of megapixels often found in more expensive cameras. The reason is simply that a large number of megapixels doesn't necessarily mean greater resolution. It just means physically larger images and somewhat better detail when you zoom in or crop. But since I rarely print larger than 8"x10" who cares? I do serious shooting with my digital SLR cameras, not a point & shoot, and it's on such SLRs that you'll find extremely high resolution lenses capable of capturing clean, noise free detail at really large image sizes suitable for printing many times larger than 8"x10". Forget about megapixels. It's sufficient to state here—and please believe me—that the 8.1 megapixel P50 will capture photos suitable for beautiful printing at all normal sizes including 8"x10" (and even 13"x19" depending on subject matter).
The real test is in the shooting. Winter days with fresh white snow sitting on dark wood, the sad looking, snow-capped, black metal BBQ sitting on my backyard deck and many other similar subjects provide high-contrast, wide dynamic range challenges for all digital cameras, and represent a particularly distressing challenge for little point & shoot models with their smaller image sensors and comparatively limited processing power. The P50 does quite well outdoors in winter, so color me surprised. The exposure compensation (EV) adjustments come in handy for dialing things back slightly to help get blown out snow highlights back under control, but the basic dynamic range of the sensor and the way in which Nikon's wonderful new EXPEED processor handle the high contrast data is exemplary for a camera in this class. Here's a sample photo. Read the full review at Kickstartnews.
Cons: Minor assembly issue leaves a small dirt collecting gap where the rubber grip fits into the the body. Some focus adjustment settings aren't retained in shooting mode. ISO2000 is useful only as a marketing pitch.
Pros: Lightweight, versatile, good image quality. Nikon has, as usual, emphasized very accurate, vibrant color. Clean images for any purposes up to ISO200. Printable images up to ISO400.
Read the full Nikon Coolpix P50 review
If the Nikon P5000 and P5100 are prosumer cameras (aimed necessarily at serious point & shoot photographers and also at amateurs and semi-pros who need a point & shoot backup camera), then the P50 is an enthusiast's camera. The differences between the entry level P50 and the masterful P5100 are obvious. The P5100 has a hot shoe for Nikon external flashguns, the P50 does not. The P5100 has selectable Auto, Aperture, Shutter, Program, Manual, Scene and VR modes and controls, while the P50 offers Auto, Program, Manual and Scene modes and controls. The P5100 has a finely stepped rotary zoom control; the P50 has a more coarsely stepped rocker switch zoom control. The P5100 is built around a cast magnesium body shell; the P50 is built around a sturdy polycarbonate shell. The P5100 offers a slightly better lens and a 12.1 megapixel image sensor; the P50 lens provides a more useful zoom range and an 8.1 megapixel image sensor. The P50 costs $150 less than the P5100. Hmmm. Tough decision.
Let it be stated above all else that more megapixels don't automatically mean better photographs. I'll take the clean, relatively noise-free 8.1 megapixels of the Nikon Coolpix P50 over the slightly noisier, but greater number of megapixels often found in more expensive cameras. The reason is simply that a large number of megapixels doesn't necessarily mean greater resolution. It just means physically larger images and somewhat better detail when you zoom in or crop. But since I rarely print larger than 8"x10" who cares? I do serious shooting with my digital SLR cameras, not a point & shoot, and it's on such SLRs that you'll find extremely high resolution lenses capable of capturing clean, noise free detail at really large image sizes suitable for printing many times larger than 8"x10". Forget about megapixels. It's sufficient to state here—and please believe me—that the 8.1 megapixel P50 will capture photos suitable for beautiful printing at all normal sizes including 8"x10" (and even 13"x19" depending on subject matter).
The real test is in the shooting. Winter days with fresh white snow sitting on dark wood, the sad looking, snow-capped, black metal BBQ sitting on my backyard deck and many other similar subjects provide high-contrast, wide dynamic range challenges for all digital cameras, and represent a particularly distressing challenge for little point & shoot models with their smaller image sensors and comparatively limited processing power. The P50 does quite well outdoors in winter, so color me surprised. The exposure compensation (EV) adjustments come in handy for dialing things back slightly to help get blown out snow highlights back under control, but the basic dynamic range of the sensor and the way in which Nikon's wonderful new EXPEED processor handle the high contrast data is exemplary for a camera in this class. Here's a sample photo. Read the full review at Kickstartnews.
Cons: Minor assembly issue leaves a small dirt collecting gap where the rubber grip fits into the the body. Some focus adjustment settings aren't retained in shooting mode. ISO2000 is useful only as a marketing pitch.
Pros: Lightweight, versatile, good image quality. Nikon has, as usual, emphasized very accurate, vibrant color. Clean images for any purposes up to ISO200. Printable images up to ISO400.
Read the full Nikon Coolpix P50 review
Thursday, February 07, 2008
Adobe Photoshop Lightroom v1.3 Review
Reviewed by: Mario Georgiou, February 2008
Published by: Adobe
Requires: Mac OS X or Microsoft Windows XP/Vista/Microsoft, Windows XP SP2; Pentium 4 or PowerPC G4 CPU or faster, 768MB RAM, 1GB available hard drive space
MSRP: US$299.oo, UK£179.00
Adobe Photoshop Lightroom is designed to be an essential part of the professional photographer's toolbox, Lightroom contains comprehensive features and functions specifically for managing, cataloging, editing and presenting large volumes of digital photographs. Adobe Lightroom is meant to be a program which helps you spend less time in front of the computer and more time with your camera.
Having spent a short time under contract at Adobe prior to the release of Lightroom and Apple's Aperture, I was exposed to a lot of the development projects in which Adobe was engaged. As anyone who knows a little about the origins of Adobe Lightroom will tell you, it began life as a project which was designed to provide a solution aimed squarely at the workflow and imaging requirements of photographers without necessarily obviating the need for Photoshop. The 'wow' of Aperture with its innovative user interface (UI) and cool grey look was lost on me because I had already seen what amounted to about four years work in workflow, intense case studies and focus groups as well as several other user interface concepts at Adobe which echoed many of the same concepts. The UI and workflow concepts which made a lot of people stop and listen when Apple released Aperture, were also present in products such as Express Photo Darkroom and several niche products that had been on the market for photographers and professional labs for quite some time.
Adobe Photoshop Lightroom has been in my possession for some time now and has become as much a part of my workflow as Photoshop, Corel Painter and my other primary creative tools. What Lightroom does is enable photographers to simplify the process of working with their digital images. Acquiring photos, managing them and correcting or editing them non-destructively as well as then providing an elegant interface for creating prints, slideshows and web-based photo galleries.
Adobe Lightroom consists of five rooms: Library, Develop, Slideshow, Print, Web, each of which simply does what it infers. The program interface, layout and color scheme is easy on the eyes and doesn't detract from the viewing of your images. When you launch Lightroom for the first time, it asks you to point it to your current image folders so that it can build a database. Once built, which happens fairly quickly, you can start to browse them in Library. Lightroom also remembers the last time you added files to the library and incrementally updates the archive.
Library offers you several options and quite a bit of feedback on any photos selected. Photos can be displayed either on their own or as part of a library grid. You can even compare photos side by side (a rare and useful feature in this type of software) or view photos as part of a collection. Photos can also be displayed alongside their metadata (all of the information contained in the JPEG, EXIF, IPTC and Catalog headers). The options for sorting and grouping your photos are many and varied, so much so in fact that you'll be spoilt for choice. Using any of these features and functions in Lightroom is very easy making it a joy to work with.
The film strip approach is really effective and makes it easy to view your images either as a sequence or as part of a set. You can also begin working with images fairly intuitively using an interface which has been designed with ease of use in mind. It's important to note here that the Lightroom interface was also designed with extensive feedback from and consultation with professional photographers and imageers.
Out of the box Adobe Photoshop Lightroom comes with pretty much everything you will need to carry out basic image processing and enhancement. In Develop you can apply non-destructive changes to your images so that your images are not irrevocably affected. For working with RAW files, this is an absolute necessity, however this process can also be applied to JPEGs and other file types. Changes that can be applied in Develop include toning, color, white balance, exposure, recovery, fill light, blacks, brightness, contrast, clarity and vibrancy. Each adjustment can be made in a range of increments which provide customizable and extremely fine control. Develop is very easy to work, and the Quick Develop mode simplifies the process for even faster edits. All told Develop is quite powerful and allows you a great deal of control over your images.
Slideshow allows you to define collections of images for presentation to clients and for review. It is not designed to produce flashy slideshows or travelogues for home users, although that would no doubt be a useful feature for some photographers, especially those working in event and wedding photography.
The Web capabilities in Lightroom were initially quite simple in earlier versions. Web allows you to create web galleries using either HTML or Flash. Web have been significantly upgraded to allow more enhanced control and to provide files that can be edited and customized with greater ease. The output features are very similar to those found in Photoshop, but could do with some improvement to make it more user friendly.
Adobe Photoshop Lightroom has had a lot of time to mature and I can't wait for the next full iteration. There have been three updates since its introduction and all these have helped make Lightroom a joy to use. What I'd like to see in the next iteration is a more robust output engine, better slideshow and enhanced web capabilities.
Cons: Output options need improvement.
Pros: Cool UI. Create galleries from folders or on the fly. Excellent sorting features. Compare and select image, quick editing and control in Develop module. All things considered, Adobe Photoshop Lightroom is a beautifully designed program, which has been put together with the photographer in mind. Bear in mind that this program was produced with input from some of the leading photographers and imageers in the industry. The attention lavished on this tool is evident in everything you touch in the software. Anyone working with professional and prosumer digital cameras needs this tool. Highly recommended.
Published by: Adobe
Requires: Mac OS X or Microsoft Windows XP/Vista/Microsoft, Windows XP SP2; Pentium 4 or PowerPC G4 CPU or faster, 768MB RAM, 1GB available hard drive space
MSRP: US$299.oo, UK£179.00
Adobe Photoshop Lightroom is designed to be an essential part of the professional photographer's toolbox, Lightroom contains comprehensive features and functions specifically for managing, cataloging, editing and presenting large volumes of digital photographs. Adobe Lightroom is meant to be a program which helps you spend less time in front of the computer and more time with your camera.
Having spent a short time under contract at Adobe prior to the release of Lightroom and Apple's Aperture, I was exposed to a lot of the development projects in which Adobe was engaged. As anyone who knows a little about the origins of Adobe Lightroom will tell you, it began life as a project which was designed to provide a solution aimed squarely at the workflow and imaging requirements of photographers without necessarily obviating the need for Photoshop. The 'wow' of Aperture with its innovative user interface (UI) and cool grey look was lost on me because I had already seen what amounted to about four years work in workflow, intense case studies and focus groups as well as several other user interface concepts at Adobe which echoed many of the same concepts. The UI and workflow concepts which made a lot of people stop and listen when Apple released Aperture, were also present in products such as Express Photo Darkroom and several niche products that had been on the market for photographers and professional labs for quite some time.
Adobe Photoshop Lightroom has been in my possession for some time now and has become as much a part of my workflow as Photoshop, Corel Painter and my other primary creative tools. What Lightroom does is enable photographers to simplify the process of working with their digital images. Acquiring photos, managing them and correcting or editing them non-destructively as well as then providing an elegant interface for creating prints, slideshows and web-based photo galleries.
Adobe Lightroom consists of five rooms: Library, Develop, Slideshow, Print, Web, each of which simply does what it infers. The program interface, layout and color scheme is easy on the eyes and doesn't detract from the viewing of your images. When you launch Lightroom for the first time, it asks you to point it to your current image folders so that it can build a database. Once built, which happens fairly quickly, you can start to browse them in Library. Lightroom also remembers the last time you added files to the library and incrementally updates the archive.
Library offers you several options and quite a bit of feedback on any photos selected. Photos can be displayed either on their own or as part of a library grid. You can even compare photos side by side (a rare and useful feature in this type of software) or view photos as part of a collection. Photos can also be displayed alongside their metadata (all of the information contained in the JPEG, EXIF, IPTC and Catalog headers). The options for sorting and grouping your photos are many and varied, so much so in fact that you'll be spoilt for choice. Using any of these features and functions in Lightroom is very easy making it a joy to work with.
The film strip approach is really effective and makes it easy to view your images either as a sequence or as part of a set. You can also begin working with images fairly intuitively using an interface which has been designed with ease of use in mind. It's important to note here that the Lightroom interface was also designed with extensive feedback from and consultation with professional photographers and imageers.
Out of the box Adobe Photoshop Lightroom comes with pretty much everything you will need to carry out basic image processing and enhancement. In Develop you can apply non-destructive changes to your images so that your images are not irrevocably affected. For working with RAW files, this is an absolute necessity, however this process can also be applied to JPEGs and other file types. Changes that can be applied in Develop include toning, color, white balance, exposure, recovery, fill light, blacks, brightness, contrast, clarity and vibrancy. Each adjustment can be made in a range of increments which provide customizable and extremely fine control. Develop is very easy to work, and the Quick Develop mode simplifies the process for even faster edits. All told Develop is quite powerful and allows you a great deal of control over your images.
Slideshow allows you to define collections of images for presentation to clients and for review. It is not designed to produce flashy slideshows or travelogues for home users, although that would no doubt be a useful feature for some photographers, especially those working in event and wedding photography.
The Web capabilities in Lightroom were initially quite simple in earlier versions. Web allows you to create web galleries using either HTML or Flash. Web have been significantly upgraded to allow more enhanced control and to provide files that can be edited and customized with greater ease. The output features are very similar to those found in Photoshop, but could do with some improvement to make it more user friendly.
Adobe Photoshop Lightroom has had a lot of time to mature and I can't wait for the next full iteration. There have been three updates since its introduction and all these have helped make Lightroom a joy to use. What I'd like to see in the next iteration is a more robust output engine, better slideshow and enhanced web capabilities.
Cons: Output options need improvement.
Pros: Cool UI. Create galleries from folders or on the fly. Excellent sorting features. Compare and select image, quick editing and control in Develop module. All things considered, Adobe Photoshop Lightroom is a beautifully designed program, which has been put together with the photographer in mind. Bear in mind that this program was produced with input from some of the leading photographers and imageers in the industry. The attention lavished on this tool is evident in everything you touch in the software. Anyone working with professional and prosumer digital cameras needs this tool. Highly recommended.
Tuesday, February 05, 2008
Robert Capa - The Mexican Suitcase
In what has turned out to be one of the most interesting stories in recent years. A Hoard of negatives which belonged to Robert Capa have surfaced. The New York Times has written an article which tells the story of their rediscovery.
The "suitcase" which actually consists of three aged cardboard valises, contains thousands of negatives of pictures that Robert Capa took during the Spanish Civil War. The were thought lost when fled Europe for America in 1939, leaving behind the contents of his Paris darkroom.
Pop on over to the Article and have a read, I for one want to hear more and see more of this amazing find ... Thanks to the Online Photographer for this lead.
The "suitcase" which actually consists of three aged cardboard valises, contains thousands of negatives of pictures that Robert Capa took during the Spanish Civil War. The were thought lost when fled Europe for America in 1939, leaving behind the contents of his Paris darkroom.
Pop on over to the Article and have a read, I for one want to hear more and see more of this amazing find ... Thanks to the Online Photographer for this lead.
Leica Offering Shutter Upgrade For M8
Leica have announced that they plan to offer a major upgrade to their M8 digital rangefinder camera. The upgrade consists of a new shutter which offers lower noise and vibration during exposure and a new protective sapphire glass LCD cover. The service will be offered from August onwards but may booked from March onwards. For more info click here to visit the Leica M8 homepage.
Saturday, February 02, 2008
New Products Announced at PMA 2008
A slew of products have been announced to coincide with the 2008 PMA Show. I've listed them below by brand.
Adobe
Adobe showed Adobe Photoshop Elements 6 for Mac which will cost £55 in the UK and be available in early Q2 2008.
AgfaPhoto
Agfaphoto announced the AgfaPhoto DV-5000G which captures high-res photos and videos, view recorded movies or TV shows on the move or play back your favorite MP3 files. There are also 20 video games to choose from.
Canon
The Canon EOS 450D / Digital Rebel XSi is a new 12 megapixel compact DSLR camera.
The Canon Digital IXUS 80 IS (Europe) / PowerShot SD1100 IS ELPH (US) is a new 8 megapixel compact digital camera. C
Canon PowerShot A590 IS, A580, A470 - Canon have added 3 new models to their A-series Powershot range of digital cameras.
Canon EF200mm f/2L IS USM and EF800mm f/5.6L IS USM. - Two new professional EF lenses.
The Canon PIXMA iP2600 - An entry-level photo printer for great value, high quality photo printing.
Casio
The Casio EX-F1 - A camera which features the world's fastest burst shooting performance of 60fps.
The Casio EX-S10 - The world's smallest and thinnest 10.1 megapixel digital camera.
The Casio EX-Z80 - An 8 megapixel digital camera that's designed to be easy and fun to use.
The Casio EX-Z200 - A 10.1 megapixel digital camera with a wide 28 mm lens and 4x optical zoom.
The Casio EX-Z100 is a new 10.1 megapixel digital camera with a wide 28 mm lens and 4x optical zoom.
Corel and Smilebox™
Corel® MediaOne ™ Integration with Smilebox™ Will provide Scrapbookers with the ability to more easily create and share their projects digitally.
Delkin
Delkin Devices had their new Image Router four-card Compact Flash reader that comes with Backup and Burn software for managing and backing-up large numbers of images. They also showed their Dual Universal charger that allows two different batteries to be charged simultaneuously. the charger can be run from the car-charger or with one of the supplied power adaptors.
DNP Photo Imaging America
DNP announced their new self-service Photo Station, a digital kiosk using the company's leading dye-sublimation photo printing technologies.
Fujifilm
The Fujifilm FinePix S100FS - Their "most advanced DSLR-styled camera to date".
The Fujifilm FinePix S8100fd - Offers 10 megapixels and an 18x wide angle lens (27-486mm).
The Fujifilm FinePix S1000fd - The world's smallest 12x optical zoom digital camera.
The Fujifilm FinePix F100fd - the ultimate 'F Series' digital camera.
The Fujifilm FinePix Z20fd - A new 10 megapixel compact camera with MPEG-4 video technology.
The Fujifilm FinePix J50 and J10 - Two new entry-level models in the brand new J Series of digital cameras.
General Electric
GE E1050 - HDMI connectivity and 3 inch touch-screen LCD technology.
GE E1235 - High technology and performance.
GE A840s - Slim and perfectly designed.
GE G2 - One of the slimmest and lightest cameras on the market.
GE E1035 - High performance with great design.
GE A835 and the GE A735 - Entry level point and shoot digital cameras.
HP
The HP Photosmart Pro B8850 is a new photo printer aimed at advanced amateur photographers.
jill-e designs
jill-e designs displayed a broad range of its camera bags in new sizes, designs, colors and combinations at PMA 2008
Kata
Kata introduced the Gecko Shoulder Strap which is a comfortable, lightweight and ergonomic carrying solution which ensures secure positioning.
Kingston
The new Kingston 16GB Class 4 SDHC card is the largest capacity in Kingston's line of SDHC cards.
Kodak
The new Kodak Easyshare Z1012 IS – A digital camera which features a robust suite of exclusive features that capture detailed pictures in the most challenging settings.
Leica
Leica has unveiled the M8 Upgrade Programme, a series of chargeable upgrades for the M8 camera, at PMA 2008.
Mustek
Mustek announced the new PF-A950PS, a 9.5-inch digital photo frame which uses NXT flat-panel speaker technology.
Nik Software
Viveza™ - U Point® Technology Powered Plug-in Software for Adobe® Photoshop® which provides the most powerful, precise, and easy way for photographers to selectively control and adjust the color and light in their digital images.
Nikon
The Nikon D60 is a new 10 megapixel entry-level DSLR camera.
The new AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR lens is a wideangle 5.3x zoom with built-in vibration-reduction.
The new AF-S Micro NIKKOR 60mm f/2.8G ED lens offers 1:1 reproduction of objects at just 0.185 meters away.
The PC-E NIKKOR 24mm f/3.5D ED is a new Tilt/Shift Lens ideal for studio, architecture and landscape photography.
The Nikon Coolpix P60 - A new 8 megapixel compact digital camera with 5x zoom (36mm-180mm).
The Nikon Coolpix S600 - A new 10 megapixel compact digicam with a 4x wide-angle zoom lens.
The Nikon Coolpix S550 - A new 10 megapixel compact camera with 5x zoom lens.
The new Nikon Coolpix S520 - A slim, ergonomic camera with a streamlined profile.
The new Nikon Coolpix S210 - A super-thin entry-level camera with 8 megapixels, 2.5 inch LCD screen and 3x zoom lens.
The 8 megapixel Nikon Coolpix L18 and the 7 megapixel Coolpix L16 are new compact and affordable digital cameras.
Norcent
The 10-megapixel DCS-1050 with Face Detection and Anti-Shake technology. Norcent also introduced their new and expanded line of flash memory cards including CF, SD, card adapters and retail value packs.
Olympus
The new Olympus SP-570 UZ features a 20x zoom equivalent to 26-520mm, the world's longest zoom lens on a compact digital camera.
The new Olympus mju 1020 digital camera will be released in Europe and the USA (but not in the UK).
The new Olympus mju 1010 and mju 840 digital cameras offer a 7x and 5x optical zoom lens respectively.
The Olympus mju 1030 SW and mju 850 SW digital cameras are new additions to the successful Olympus range of shock and waterproof cameras.
The Olympus FE-350, FE-340 and FE-310 are new entry-level digital compact cameras.
Panasonic
The Panasonic Lumix DMC-TZ5 and DMC-TZ4 are 9 and 8 megapixel updates of Panasonic's best-selling camera ever, the TZ3.
The Panasonic Lumix DMC-FX35 is a new 25mm ultra wide-angle compact camera.
The Panasonic Lumix DMC-LZ10 and DMC-LZ8 are new 10 megapixel, 5x zoom digital cameras.
The Panasonic Lumix DMC-FS20 and DMC-FS5 are the first models in a new range of stylish, easy to use cameras.
The Panasonic Lumix DMC-FS3 camera is an entry-level addition to the brand new FS range.
The Panasonic Lumix DMC-LS80 is a new entry-level 8 megapixel digital camera.
Pentax
Pentax exhibited three DSLR lenses currently under development. The Pentax 55mm, 17-70mm and 60-250mm Lenses
The new Pentax K20D DSLR camera offers 14.6 megapixels, making it the leading semi-professional model in terms of image resolution.
The Pentax K200D is a new 10 megapixel entry-level, compact digital SLR camera.
Pentax have introduced 5 new lenses for their DSLR cameras, including 300mm and 200mm Supersonic Motor lenses.
The Pentax Optio S12 is a new ultra-compact 12 megapixel digital camera.
The Pentax Optio M50 is a new 8 megapixel compact digital camera with 5x optical zoom (36-180mm).
The Pentax Optio E50 is a new 8 megapixel entry-level digital camera with numerous automatic functions.
Quik Pod
Quik Pod® DSLR for professional photographers, the world’s first handheld extendable monopod that multitasks as a self-image device, monopod and a boom for extended reach.
Samsung
Samsung GX-20 - The Samsung GX-20 is a new 14.6 megapixel digital SLR camera.
Samsung has launched two new DSLR lenses, the D-XENON 18-250mm F3.5-F6.3 and 18-55mm II F3.5-F5.6.
The Samsung i100 is a new 10.2 megapixel compact digital camera with 3 inch LCD screen and 3x optical zoom.
The Samsung i80 is a new 8.1 megapixel compact digital camera with 3 inch LCD screen and 3x optical zoom.
The Samsung S1060 is a new 10.2 megapixel, entry-level compact digital camera.
SanDisk
The SanDisk 32Gb Ultra II SDHC Card offers faster read and write speeds of 15 megabytes per second.
The SanDisk 16Gb Ultra II SDHC Card offers faster read and write speeds of 15 megabytes per second.
The SanDisk Ultra II SDHC Plus card offers faster read and write speeds of 15 megabytes per second.
Sandisk also showed their Ducati branded usb memory stick, the stick looks very much like a miniature petrol tank...
Sigma
The new Sigma DP1 packs the full specification of a DSLR into the body of a compact camera.
Sigma APO 200-500mm F2.8 EX DG - The world’s first Ultra-Telephoto Zoom Lens that offers a fast aperture of F2.8 at 500mm focal length.
Sigma APO 150-500mm F5-6.3 DG OS HSM - A new ultra telephoto zoom lens covering a telephoto range up to 500mm.
Sigma 120-400mm f/4.5-5.6 DG OS HSM - A new telephoto zoom lens incorporating Sigma’s original Optical Stabiliser.
Sigma 18-125mm F3.8-5.6 DC OS HSM - A high ratio zoom lens designed exclusively for digital SLR cameras.
Smartparts, Inc.
Smartparts, Inc., announced the world's largest digital picture frame, the 32 inch SP3200.
Sony
Sony 24 Megapixel 35mm CMOS Sensor - Sony have thrown their hat into the full-frame ring by announcing the development of a 35mm 24.81 megapixel, ultra-high speed, CMOS image sensor.
Sony 24 Megapixel Full-frame DSLR - Sony have unveiled an advanced prototype version of their 24 megapixel full-frame professional DSLR camera. Due for release by the end of 2008. the as yet un-named camera will feature the new 24.8 CMOS sensor that was announced this week.
The Sony A350 has a 14.2 megapixel sensor, a variable angle 2.7 inch LCD screen, new Quick AF Live View mode for fast and responsive TTL phase-detection auto-focusing, high ISO of 3200 and Sony’s D-Range Optimizer.
The Sony A300 has a 10.2 megapixel sensor, a variable angle 2.7 inch LCD screen, new Quick AF Live View mode for fast and responsive TTL phase-detection auto-focusing, high ISO of 3200 and Sony’s D-Range Optimizer.
Sony 24-70mm f/2.8 Lens - Co-developed with Carl Zeiss, the Vario Sonnar T 24-70mm f/2.8 ZA is a wide angle 24-70mm zoom lens with a large f/2.8 aperture.
The Sony 70-300mm f/4.5-5.6 G - Incorporates the optical performance of Sony’s G series in a compact and flexible telephoto zoom lens.
The Sony GPS-CS1KASP GPS receiver is able to trace video footage with GPS coordinates.
Sony DPF-V700 and DPF-D70 Photo Frames - They all offer WVGA resolution (800 x 480 pixels) along with 15:9 aspect-ratio screens and can display images up to 48 megapixels in size. The 7-inch DPF-V700 and 9-inch DPF-V900 digital photo frames have 512MB of internal storage, while the 7--inch DPF-D70 model has 256MB of internal flash memory.
The Sony PictureStation DPP-FP95 and DPP-FP75 are new transportable, 4 x 6-inch photo printers.
The Sony Cyber-shot DSC-H10 is a new 8 megapixel compact digicam with a 10x optical zoom lens.
The new Sony Cyber-shot DSC-T300 digital camera features a 3.5 inch touch-screen LCD and 5x optical zoom lens.
Sony has unveiled 4 new additions to its W-range of Cyber-shot compact digital cameras. The Sony Cyber-Shot DSC-W170, DSC-W150, DSC-W130 and the DSC-W120.
The new Sony Cyber-shot DSC-S780 and DSC-S750 entry-level cameras, now with Lithium Ion batteries instead of AA batteries.
Sunex
Sunex launches their new full spherical panoramic tripod head and the first circular fisheye lens for 1.6x crop DSLRs with 185° field of view. They also announced their panoramic dewarper software, which is capable of producing high quality panoramic pictures while minimizing and controlling distortion.
Sunpak
The Sunpak PZ42X flash - A full featured, professional digital SLR flash but without the price of an OEM unit for digital and film cameras.
Sunpak also announced the Tripod Center Column, which converts to a full featured monopod for situations where a tripod is just not suitable.
Tamron
The new Tamron SP AF10-24mm F/3.5-4.5 Di II LD Aspherical (IF) is a ultra wide-angle zoom lens for digital SLRs with APS-C size sensors.
The new Tamron SP AF70-200mm F/2.8 Di LD (IF) MACRO is a fast tele-zoom lens for digital SLRs with with 35mm full-size image sensors.
The Tamron SP AF17-50mm F/2.8 XR Di-II LD Aspherical [IF] is now available in the Pentax mount.
Three Tamron Lenses for Nikon - Tamron have developed three zoom lenses with built-in motors for Nikon DSLRs, two for the APS-C size format and one for full-size format cameras.
Vermont PhotoInkjet
Vermont PhotoInkjet introduces an eco-friendly ink alternative for EPSON® Ultrachrome™ K3 printers.
XIAS
Xias announced 8-inch digital photo frames and introduced new dynamic 10-inch digital photo frames. They also introduced two new models with WiFi capability and user-friendly Touch Screen technology.
They also introduced their new Colorful XIAS™ 4 GB and 8 GB Pen Drives, the DCS-1260 12-Megapixel Digital Camera, the Colorful DCS-860 8-Megapixel Digital Cameras and the DCS-760 7-Megapixel Digital Camera.
Adobe
Adobe showed Adobe Photoshop Elements 6 for Mac which will cost £55 in the UK and be available in early Q2 2008.
AgfaPhoto
Agfaphoto announced the AgfaPhoto DV-5000G which captures high-res photos and videos, view recorded movies or TV shows on the move or play back your favorite MP3 files. There are also 20 video games to choose from.
Canon
The Canon EOS 450D / Digital Rebel XSi is a new 12 megapixel compact DSLR camera.
The Canon Digital IXUS 80 IS (Europe) / PowerShot SD1100 IS ELPH (US) is a new 8 megapixel compact digital camera. C
Canon PowerShot A590 IS, A580, A470 - Canon have added 3 new models to their A-series Powershot range of digital cameras.
Canon EF200mm f/2L IS USM and EF800mm f/5.6L IS USM. - Two new professional EF lenses.
The Canon PIXMA iP2600 - An entry-level photo printer for great value, high quality photo printing.
Casio
The Casio EX-F1 - A camera which features the world's fastest burst shooting performance of 60fps.
The Casio EX-S10 - The world's smallest and thinnest 10.1 megapixel digital camera.
The Casio EX-Z80 - An 8 megapixel digital camera that's designed to be easy and fun to use.
The Casio EX-Z200 - A 10.1 megapixel digital camera with a wide 28 mm lens and 4x optical zoom.
The Casio EX-Z100 is a new 10.1 megapixel digital camera with a wide 28 mm lens and 4x optical zoom.
Corel and Smilebox™
Corel® MediaOne ™ Integration with Smilebox™ Will provide Scrapbookers with the ability to more easily create and share their projects digitally.
Delkin
Delkin Devices had their new Image Router four-card Compact Flash reader that comes with Backup and Burn software for managing and backing-up large numbers of images. They also showed their Dual Universal charger that allows two different batteries to be charged simultaneuously. the charger can be run from the car-charger or with one of the supplied power adaptors.
DNP Photo Imaging America
DNP announced their new self-service Photo Station, a digital kiosk using the company's leading dye-sublimation photo printing technologies.
Fujifilm
The Fujifilm FinePix S100FS - Their "most advanced DSLR-styled camera to date".
The Fujifilm FinePix S8100fd - Offers 10 megapixels and an 18x wide angle lens (27-486mm).
The Fujifilm FinePix S1000fd - The world's smallest 12x optical zoom digital camera.
The Fujifilm FinePix F100fd - the ultimate 'F Series' digital camera.
The Fujifilm FinePix Z20fd - A new 10 megapixel compact camera with MPEG-4 video technology.
The Fujifilm FinePix J50 and J10 - Two new entry-level models in the brand new J Series of digital cameras.
General Electric
GE E1050 - HDMI connectivity and 3 inch touch-screen LCD technology.
GE E1235 - High technology and performance.
GE A840s - Slim and perfectly designed.
GE G2 - One of the slimmest and lightest cameras on the market.
GE E1035 - High performance with great design.
GE A835 and the GE A735 - Entry level point and shoot digital cameras.
HP
The HP Photosmart Pro B8850 is a new photo printer aimed at advanced amateur photographers.
jill-e designs
jill-e designs displayed a broad range of its camera bags in new sizes, designs, colors and combinations at PMA 2008
Kata
Kata introduced the Gecko Shoulder Strap which is a comfortable, lightweight and ergonomic carrying solution which ensures secure positioning.
Kingston
The new Kingston 16GB Class 4 SDHC card is the largest capacity in Kingston's line of SDHC cards.
Kodak
The new Kodak Easyshare Z1012 IS – A digital camera which features a robust suite of exclusive features that capture detailed pictures in the most challenging settings.
Leica
Leica has unveiled the M8 Upgrade Programme, a series of chargeable upgrades for the M8 camera, at PMA 2008.
Mustek
Mustek announced the new PF-A950PS, a 9.5-inch digital photo frame which uses NXT flat-panel speaker technology.
Nik Software
Viveza™ - U Point® Technology Powered Plug-in Software for Adobe® Photoshop® which provides the most powerful, precise, and easy way for photographers to selectively control and adjust the color and light in their digital images.
Nikon
The Nikon D60 is a new 10 megapixel entry-level DSLR camera.
The new AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR lens is a wideangle 5.3x zoom with built-in vibration-reduction.
The new AF-S Micro NIKKOR 60mm f/2.8G ED lens offers 1:1 reproduction of objects at just 0.185 meters away.
The PC-E NIKKOR 24mm f/3.5D ED is a new Tilt/Shift Lens ideal for studio, architecture and landscape photography.
The Nikon Coolpix P60 - A new 8 megapixel compact digital camera with 5x zoom (36mm-180mm).
The Nikon Coolpix S600 - A new 10 megapixel compact digicam with a 4x wide-angle zoom lens.
The Nikon Coolpix S550 - A new 10 megapixel compact camera with 5x zoom lens.
The new Nikon Coolpix S520 - A slim, ergonomic camera with a streamlined profile.
The new Nikon Coolpix S210 - A super-thin entry-level camera with 8 megapixels, 2.5 inch LCD screen and 3x zoom lens.
The 8 megapixel Nikon Coolpix L18 and the 7 megapixel Coolpix L16 are new compact and affordable digital cameras.
Norcent
The 10-megapixel DCS-1050 with Face Detection and Anti-Shake technology. Norcent also introduced their new and expanded line of flash memory cards including CF, SD, card adapters and retail value packs.
Olympus
The new Olympus SP-570 UZ features a 20x zoom equivalent to 26-520mm, the world's longest zoom lens on a compact digital camera.
The new Olympus mju 1020 digital camera will be released in Europe and the USA (but not in the UK).
The new Olympus mju 1010 and mju 840 digital cameras offer a 7x and 5x optical zoom lens respectively.
The Olympus mju 1030 SW and mju 850 SW digital cameras are new additions to the successful Olympus range of shock and waterproof cameras.
The Olympus FE-350, FE-340 and FE-310 are new entry-level digital compact cameras.
Panasonic
The Panasonic Lumix DMC-TZ5 and DMC-TZ4 are 9 and 8 megapixel updates of Panasonic's best-selling camera ever, the TZ3.
The Panasonic Lumix DMC-FX35 is a new 25mm ultra wide-angle compact camera.
The Panasonic Lumix DMC-LZ10 and DMC-LZ8 are new 10 megapixel, 5x zoom digital cameras.
The Panasonic Lumix DMC-FS20 and DMC-FS5 are the first models in a new range of stylish, easy to use cameras.
The Panasonic Lumix DMC-FS3 camera is an entry-level addition to the brand new FS range.
The Panasonic Lumix DMC-LS80 is a new entry-level 8 megapixel digital camera.
Pentax
Pentax exhibited three DSLR lenses currently under development. The Pentax 55mm, 17-70mm and 60-250mm Lenses
The new Pentax K20D DSLR camera offers 14.6 megapixels, making it the leading semi-professional model in terms of image resolution.
The Pentax K200D is a new 10 megapixel entry-level, compact digital SLR camera.
Pentax have introduced 5 new lenses for their DSLR cameras, including 300mm and 200mm Supersonic Motor lenses.
The Pentax Optio S12 is a new ultra-compact 12 megapixel digital camera.
The Pentax Optio M50 is a new 8 megapixel compact digital camera with 5x optical zoom (36-180mm).
The Pentax Optio E50 is a new 8 megapixel entry-level digital camera with numerous automatic functions.
Quik Pod
Quik Pod® DSLR for professional photographers, the world’s first handheld extendable monopod that multitasks as a self-image device, monopod and a boom for extended reach.
Samsung
Samsung GX-20 - The Samsung GX-20 is a new 14.6 megapixel digital SLR camera.
Samsung has launched two new DSLR lenses, the D-XENON 18-250mm F3.5-F6.3 and 18-55mm II F3.5-F5.6.
The Samsung i100 is a new 10.2 megapixel compact digital camera with 3 inch LCD screen and 3x optical zoom.
The Samsung i80 is a new 8.1 megapixel compact digital camera with 3 inch LCD screen and 3x optical zoom.
The Samsung S1060 is a new 10.2 megapixel, entry-level compact digital camera.
SanDisk
The SanDisk 32Gb Ultra II SDHC Card offers faster read and write speeds of 15 megabytes per second.
The SanDisk 16Gb Ultra II SDHC Card offers faster read and write speeds of 15 megabytes per second.
The SanDisk Ultra II SDHC Plus card offers faster read and write speeds of 15 megabytes per second.
Sandisk also showed their Ducati branded usb memory stick, the stick looks very much like a miniature petrol tank...
Sigma
The new Sigma DP1 packs the full specification of a DSLR into the body of a compact camera.
Sigma APO 200-500mm F2.8 EX DG - The world’s first Ultra-Telephoto Zoom Lens that offers a fast aperture of F2.8 at 500mm focal length.
Sigma APO 150-500mm F5-6.3 DG OS HSM - A new ultra telephoto zoom lens covering a telephoto range up to 500mm.
Sigma 120-400mm f/4.5-5.6 DG OS HSM - A new telephoto zoom lens incorporating Sigma’s original Optical Stabiliser.
Sigma 18-125mm F3.8-5.6 DC OS HSM - A high ratio zoom lens designed exclusively for digital SLR cameras.
Smartparts, Inc.
Smartparts, Inc., announced the world's largest digital picture frame, the 32 inch SP3200.
Sony
Sony 24 Megapixel 35mm CMOS Sensor - Sony have thrown their hat into the full-frame ring by announcing the development of a 35mm 24.81 megapixel, ultra-high speed, CMOS image sensor.
Sony 24 Megapixel Full-frame DSLR - Sony have unveiled an advanced prototype version of their 24 megapixel full-frame professional DSLR camera. Due for release by the end of 2008. the as yet un-named camera will feature the new 24.8 CMOS sensor that was announced this week.
The Sony A350 has a 14.2 megapixel sensor, a variable angle 2.7 inch LCD screen, new Quick AF Live View mode for fast and responsive TTL phase-detection auto-focusing, high ISO of 3200 and Sony’s D-Range Optimizer.
The Sony A300 has a 10.2 megapixel sensor, a variable angle 2.7 inch LCD screen, new Quick AF Live View mode for fast and responsive TTL phase-detection auto-focusing, high ISO of 3200 and Sony’s D-Range Optimizer.
Sony 24-70mm f/2.8 Lens - Co-developed with Carl Zeiss, the Vario Sonnar T 24-70mm f/2.8 ZA is a wide angle 24-70mm zoom lens with a large f/2.8 aperture.
The Sony 70-300mm f/4.5-5.6 G - Incorporates the optical performance of Sony’s G series in a compact and flexible telephoto zoom lens.
The Sony GPS-CS1KASP GPS receiver is able to trace video footage with GPS coordinates.
Sony DPF-V700 and DPF-D70 Photo Frames - They all offer WVGA resolution (800 x 480 pixels) along with 15:9 aspect-ratio screens and can display images up to 48 megapixels in size. The 7-inch DPF-V700 and 9-inch DPF-V900 digital photo frames have 512MB of internal storage, while the 7--inch DPF-D70 model has 256MB of internal flash memory.
The Sony PictureStation DPP-FP95 and DPP-FP75 are new transportable, 4 x 6-inch photo printers.
The Sony Cyber-shot DSC-H10 is a new 8 megapixel compact digicam with a 10x optical zoom lens.
The new Sony Cyber-shot DSC-T300 digital camera features a 3.5 inch touch-screen LCD and 5x optical zoom lens.
Sony has unveiled 4 new additions to its W-range of Cyber-shot compact digital cameras. The Sony Cyber-Shot DSC-W170, DSC-W150, DSC-W130 and the DSC-W120.
The new Sony Cyber-shot DSC-S780 and DSC-S750 entry-level cameras, now with Lithium Ion batteries instead of AA batteries.
Sunex
Sunex launches their new full spherical panoramic tripod head and the first circular fisheye lens for 1.6x crop DSLRs with 185° field of view. They also announced their panoramic dewarper software, which is capable of producing high quality panoramic pictures while minimizing and controlling distortion.
Sunpak
The Sunpak PZ42X flash - A full featured, professional digital SLR flash but without the price of an OEM unit for digital and film cameras.
Sunpak also announced the Tripod Center Column, which converts to a full featured monopod for situations where a tripod is just not suitable.
Tamron
The new Tamron SP AF10-24mm F/3.5-4.5 Di II LD Aspherical (IF) is a ultra wide-angle zoom lens for digital SLRs with APS-C size sensors.
The new Tamron SP AF70-200mm F/2.8 Di LD (IF) MACRO is a fast tele-zoom lens for digital SLRs with with 35mm full-size image sensors.
The Tamron SP AF17-50mm F/2.8 XR Di-II LD Aspherical [IF] is now available in the Pentax mount.
Three Tamron Lenses for Nikon - Tamron have developed three zoom lenses with built-in motors for Nikon DSLRs, two for the APS-C size format and one for full-size format cameras.
Vermont PhotoInkjet
Vermont PhotoInkjet introduces an eco-friendly ink alternative for EPSON® Ultrachrome™ K3 printers.
XIAS
Xias announced 8-inch digital photo frames and introduced new dynamic 10-inch digital photo frames. They also introduced two new models with WiFi capability and user-friendly Touch Screen technology.
They also introduced their new Colorful XIAS™ 4 GB and 8 GB Pen Drives, the DCS-1260 12-Megapixel Digital Camera, the Colorful DCS-860 8-Megapixel Digital Cameras and the DCS-760 7-Megapixel Digital Camera.
Friday, February 01, 2008
Sony Announce New A300 and A350
Sony's Alpha A300 and A350 have officially been unveiled. The 10.2 megapixel A300 and 14.2 megapixel A350 feature flip-out 2.7-inch swivel screens with a live preview facility that retains autofocus. Both DSLRs are capable of shooting up to ISO3200, and feature burst modes of 3fps for the A300 and 2.5fps for the A350. The DSLRs will be available from April, with the A300 being bundled with an 18-70mm kit lens for $800. The A350 will come in a $900 kit or $800 for the body-only.
Thursday, January 31, 2008
Sony Announce 24.81 Megapixel Sensor
Sony have just announced a new full size 35mm based CMOS sensor featuring 24.81 effective megapixels. The new sensor is aimed at future professional-level DSLRs. Sony's patented "Column-Parallel A/D Conversion Technique" is used in the new sensor and is said to achieve high signal to noise ratios even while shooting at the 6.3 - 12-bit frames per second. This new chip looks to be aimed squarely at Pros who are considering a future purchase of something like the Canon 1Ds MkIII. It'll be interesting to see who uses this chip in their cameras.
Monday, January 28, 2008
PMA Announcements Come Hard & Fast...
This week PMA 2008 begins and as expected the announcements from hardware and software manufacturers are coming hard and fast. Canon, Nikon, Fuji and just about everyone are announcing new desirables. For extensive coverage of all the PMA action you can read the coverage at Imaging Resource, Outback Photo, Photography Blog however we here at CIN will be publishing a summary of all the latest news at the end of each day...
Sunday, December 09, 2007
Wacom Cintiq 12WX and Cintiq 20WSX
Wacom announced two new members to their Cintiq family last week. The Cintiq 12WX and Cintiq 20WSX offer onscreen editing for tablet fans, artists, photographers and imageers. The Cintiq 12WX offers a resolution of 1,280 x 800, and has a street price of $999. The Cintiq 20WSX, is the world's first wide-format desktop pen display with a 1680x1050 resolution. This makes it ideal for those who prefer to work with a 16:10aspect ratio and has an SRP of $1,999.
Sunday, December 02, 2007
Creative Photoshop - Digital Illustration and Art Techniques
Review by Mario Georgiou
Author: Derek Lea
Focal Press - http://www.focalpress.com/
ISBN: 9780240520469
http://www.creativephotoshopthebook.com/
SRP: US$ 39.95 UK£22.99
Award winning illustrator Derek Lea has penned this excellent reference book for Focal Press. His illustration work is a unique combination of original photography, traditional illustration, and digital art. In Creative Photoshop, Derek uses his extensive experience with Photoshop to produce a series of tutorials which will give readers a nice balance of inspirational imagery and technical insight.
The book can be divided into four sections, the first which deals with traditional illustrative techniques such as drawing, painting and colouring. In this section Derek tackles the creation, definition and use of brushes, how to use Shapes and layers., emulating the look of graffiti and stencil art and how to trace photographic imagery to create illustrations. It also details several techniques for creating illustrations from sketches and retro art based stock. This section is completed by taking a look at colouring a comic based illustration.
The second section consists of coverage of unconventional illustrative techniques and methods. The first example uses thermal fax paper and a hairdryer to artificially age paper and also makes good use of scanned images and layering effects. The examples include the use of xerography, creating urban lowbrow art although a short section it provides some very cool solutions for creating effective and colourful imagery quickly.
The third section covers the creation of illustrative photography and includes one of his more famous tutorials which covers the blending of architectural source materials with a models face, to create a striking image. Subsequent examples provide solutions for emulating a 3D ribbon peel away effect, artificially ageing a portrait and creating a dark, moody and surrealistic image of a person peeling back their skin from a selection of different source materials. These images are a lot more complex than I have described, but you’ll just have to buy the book to see what I mean.
The fourth and final part covers the use of Photoshop in combination with other software. This primarily centers on the use and enhancement of 3D imagery. The last two chapters detail the use and editing of vector illustrations and details their use as elements in the creation of illustrations. My favourite chapter details the creation of a morphing pattern based upon the work of Max Ernst. All told Creative Photoshop is an excellent book from one of the best creatives in the industry.
Cons: Not for beginners.
Pros: Well written. Easy to follow. CD based tutorials and content. Creative and Imaginative.
Derek Lea succeeds with this excellent book, because he brings to bear his extensive practical experience with Photoshop and the other tools in his arsenal to create some very practical and creative solutions to tasks illustrators, imageers and designers will experience in their day to day work. Highly Recommended
*****
Author: Derek Lea
Focal Press - http://www.focalpress.com/
ISBN: 9780240520469
http://www.creativephotoshopthebook.com/
SRP: US$ 39.95 UK£22.99
Award winning illustrator Derek Lea has penned this excellent reference book for Focal Press. His illustration work is a unique combination of original photography, traditional illustration, and digital art. In Creative Photoshop, Derek uses his extensive experience with Photoshop to produce a series of tutorials which will give readers a nice balance of inspirational imagery and technical insight.
The book can be divided into four sections, the first which deals with traditional illustrative techniques such as drawing, painting and colouring. In this section Derek tackles the creation, definition and use of brushes, how to use Shapes and layers., emulating the look of graffiti and stencil art and how to trace photographic imagery to create illustrations. It also details several techniques for creating illustrations from sketches and retro art based stock. This section is completed by taking a look at colouring a comic based illustration.
The second section consists of coverage of unconventional illustrative techniques and methods. The first example uses thermal fax paper and a hairdryer to artificially age paper and also makes good use of scanned images and layering effects. The examples include the use of xerography, creating urban lowbrow art although a short section it provides some very cool solutions for creating effective and colourful imagery quickly.
The third section covers the creation of illustrative photography and includes one of his more famous tutorials which covers the blending of architectural source materials with a models face, to create a striking image. Subsequent examples provide solutions for emulating a 3D ribbon peel away effect, artificially ageing a portrait and creating a dark, moody and surrealistic image of a person peeling back their skin from a selection of different source materials. These images are a lot more complex than I have described, but you’ll just have to buy the book to see what I mean.
The fourth and final part covers the use of Photoshop in combination with other software. This primarily centers on the use and enhancement of 3D imagery. The last two chapters detail the use and editing of vector illustrations and details their use as elements in the creation of illustrations. My favourite chapter details the creation of a morphing pattern based upon the work of Max Ernst. All told Creative Photoshop is an excellent book from one of the best creatives in the industry.
Cons: Not for beginners.
Pros: Well written. Easy to follow. CD based tutorials and content. Creative and Imaginative.
Derek Lea succeeds with this excellent book, because he brings to bear his extensive practical experience with Photoshop and the other tools in his arsenal to create some very practical and creative solutions to tasks illustrators, imageers and designers will experience in their day to day work. Highly Recommended
*****
Saturday, November 24, 2007
I-O data Launch Tough 16 GB Flash Drive
Japanese Firm I-O data have created the HDMC, a 16GB, freezable, droppable, completely water-proof USB flash drive. This device would make the idea of portable and hardy storage quite realistic for the photographer on the go. This device isn't cheap mind you, at ¥25,300, or about US$230, this device will put a hole in your wallet. Visit Akihabara News for more info and a really cheesy albeit interesting video.
Monday, November 19, 2007
Adobe Photoshop CS3 A-Z
Author: Phillip Andrews
Publisher: Focal Press
ISBN: 9780240520650
Price: US$29.95 - UK£17.99
As far as reference books for photoshop CS3 are concerned, Focal Press have been really busy the last few months. This book by Phillip Andrews isn't a tutorial book, it's a lavishly illustrated and in-depth reference which covers pretty much every feature in Photoshop CS3. It does a thorough job of explaining the use of all the tools and even begins with a very nice step by step section which I would have like to see more of... The rest of the book provides an excellent and easy reference for anyone who ever wanted a manual with Photoshop CS3. It is both comprehensive and extremely easy to follow. Highly Recommended
Publisher: Focal Press
ISBN: 9780240520650
Price: US$29.95 - UK£17.99
As far as reference books for photoshop CS3 are concerned, Focal Press have been really busy the last few months. This book by Phillip Andrews isn't a tutorial book, it's a lavishly illustrated and in-depth reference which covers pretty much every feature in Photoshop CS3. It does a thorough job of explaining the use of all the tools and even begins with a very nice step by step section which I would have like to see more of... The rest of the book provides an excellent and easy reference for anyone who ever wanted a manual with Photoshop CS3. It is both comprehensive and extremely easy to follow. Highly Recommended
Virtual Vixens: 3D Character Modelling and Scene Placement
Focal Press are one of my favourite publishers of books dealing with Photography. With this reference work by Arndt von Koenigsmarck, Focal Press take a look at the world of Virtual or 3D people, or more specifically the creation of believable 3D Females. The book starts with a look at the work of artists like Steven Stahlberg and Liam Kemp who are well versed in creating virtual females. There is even an excellent feature on the work of Max Edwin Wahyudi ,which focuses on the creation of a virtual Natalie Portman. I was quite impressed with the quality of the model and images produced.
The book continues with several excellent workshops which focus on software and techniques for refining these characters and models. This book could have demonstrated just how far the technology has come in recent years but instead provides a solid groundwork for anyone interested in the techniques and tools currently being used. The one thing which stands out in this book is the importance of having excellent photo reference, both as source material and as textures. Virtual Vixens is worth a look, but don't expect it to show you anything groundbreaking unless you're a beginner.
The book continues with several excellent workshops which focus on software and techniques for refining these characters and models. This book could have demonstrated just how far the technology has come in recent years but instead provides a solid groundwork for anyone interested in the techniques and tools currently being used. The one thing which stands out in this book is the importance of having excellent photo reference, both as source material and as textures. Virtual Vixens is worth a look, but don't expect it to show you anything groundbreaking unless you're a beginner.
Sunday, November 18, 2007
Adobe Release Photoshop CS3 & Bridge CS3 Updates
Following closely on the heels of the lightroom and ACR updates, Adobe have also released updates to Photoshop and Bridge CS3. Photoshop Product Manager John Nack, has indicated that "The Photoshop 10.0.1 update addresses the key pain points experienced by users printing from CS3, particularly on Windows. I've posted a separate note that goes into more detail on the topic. The update also includes better support for preserving XMP metadata (including copyright) via Save For Web, through the inclusion of a new "Include XMP" option in the dialog's settings menu. The Photoshop update does not address a problem with changing the values for various tools on Mac OS X Leopard, but Apple and Adobe are working together on a separate fix (details)."
Click on the following links for the Mac and Windows updates.
The Bridge 2.1.1 update, includes a new preference, which enables High Quality Preview in the Bridge Preferences - Advanced panel. "When enabled, the preference addresses the problem of a soft or blurry preview appearing in the Preview panel and in Slideshow mode. The Bridge update also remedies other problems reported by users, including a problem that could cause Bridge to lock up when using arrow keys to navigate."
Click on the following links for the Mac and Windows updates.
Click on the following links for the Mac and Windows updates.
The Bridge 2.1.1 update, includes a new preference, which enables High Quality Preview in the Bridge Preferences - Advanced panel. "When enabled, the preference addresses the problem of a soft or blurry preview appearing in the Preview panel and in Slideshow mode. The Bridge update also remedies other problems reported by users, including a problem that could cause Bridge to lock up when using arrow keys to navigate."
Click on the following links for the Mac and Windows updates.
onOne Release New Pro Tools
onOne have announced the immediate availability of its two new digital imaging software plug-ins -- PhotoTools and PhotoTools Professional Edition. The new versions PhotoTools are flexible yet powerful new Photoshop plug-ins that utilizes the power of Photoshop Actions to provide a wide range of imaging tools including effects, corrections and production automation via a full-featured interface. PhotoTools allows users to preview effects individually or combined/stacked together in a layer-like configuration as well as save their favorite combinations as presets for future use. Visit the onOne Software website for more information.
Adobe Update Lightroom and Adobe Camera Raw
Adobe have released updates to Photoshop Lightroom and their Photoshop Camera Raw plug-in. The updates are available immediately as free upgrades for existing users. Lightroom can be downloaded from Lightroom product page and provides added support for Apple Leopard Mac OS X 10.5 and includes a technology preview of the Lightroom Export SDK, which is available as a separate download on the Adobe Labs site. The Lightroom 1.3 and Camera Raw 4.3 updates also include raw file support for seven additional digital cameras including the Canon EOS-1Ds Mark III, Canon PowerShot G9, Nikon D3, Nikon D300, Olympus E-3, Olympus SP-560 UZ, and Panasonic DMC-L10.
Monday, November 12, 2007
Plustek OpticFilm 7300
Review by Mario Georgiou
Manufacturer: Plustek
System Requirements: CD-ROM Drive
One available USB Port
512 MB RAM
500 MB free HDD space
High Color graphic card (VGA or higher)
Windows
CPU: Pentium III or faster CPU
Microsoft Windows 2000 / XP / Vista Compatible
Macintosh:
CPU: PPC G4, PPC G5, Intel
MAC 10.3.9 and higher including Leopard
SRP: £169.99 US $369.95
Over a year ago I reviewed the Plustek 7200i, when I was offered the 7300, I was intrigued to find out what the updated model would have to offer. The Plustek Optic film is aimed squarely at the amateur and and enthusiast. Although it features 7200 dpi high resolution scanning and basic dust and scratch removal, it misses on some crucial capabilities such as support for more transparency and negative formats. However the added capability for multiple exposures of a single image source makes up for what is missing. So how good is the 7300, and how does it live up to the requirements of converting your slides and negs into digital equivalents.
The OpticFilm 7300 is priced at £145 excluding VAT, and with an even lower price point than its predecessor, I expected to be let down, I was however please by how little was of issue. The 7300 was easy to install and use. Scanning with it is as easy as ever and with the slide viewer embedded in the top of the unit, it was truly a pleasure to work with.
Like the 7200, SilverFast software is bundled with the scanner and it is extremely easy to use. Also included is LaserSoft Imaging’s latest SilverFast SEPlus 6.5 ME image editing software, which provides a powerful scan with high-quality results. Like the 7200i it is relatively fast for scanning clean negs and slides, however scanning times go way up when you try to use silverfast and the annoying muddying introduced in this process is still problematic and give some detail a soft watercolour look.
The scans produced are pretty good, and although I like the ability to select the type of film being scanned although the range of products supported were still not sufficiently expanded to handle all the film types I had in my collection. Like the 7200i, I had to guess on a couple of OEM based film brands and their ideal profiles.
Two film carriers are provided and support both film and slides. I still think the carriers needed to have a more secure fit, still, I found no issues with the resulting scans, because of this.
Unlike the 7200i detail in the highlights and shadows was not blown out, due to the multiple exposure feature. I would recommend this scanner for the enthusiast and amateur who needs high resolution but the dynamic range is still in need of improvement.
For the amateur this unit is a real steal, dedicated film scanners of similar capabilities can cost much, much, more. The 7300's clean looks and ease of use makes it an attractive option.
Cons
Slow scanning in high resolution. No support for larger negs and transparencies.
Pros
Easy to set up and use. Small footprint. High optical resolution and good detail. Surprisingly low price. Multiple Exposure mode is a much welcome addition.
For the amateur photographer who wants a cheap scanner to scan their slides and negs, this unit is a perfect option. It, like its predecessor is easy to install and even easier to use. I highly recommend the Plustek Opticfilm 7300 for the amateur photographer and enthusiast.
Manufacturer: Plustek
System Requirements: CD-ROM Drive
One available USB Port
512 MB RAM
500 MB free HDD space
High Color graphic card (VGA or higher)
Windows
CPU: Pentium III or faster CPU
Microsoft Windows 2000 / XP / Vista Compatible
Macintosh:
CPU: PPC G4, PPC G5, Intel
MAC 10.3.9 and higher including Leopard
SRP: £169.99 US $369.95
Over a year ago I reviewed the Plustek 7200i, when I was offered the 7300, I was intrigued to find out what the updated model would have to offer. The Plustek Optic film is aimed squarely at the amateur and and enthusiast. Although it features 7200 dpi high resolution scanning and basic dust and scratch removal, it misses on some crucial capabilities such as support for more transparency and negative formats. However the added capability for multiple exposures of a single image source makes up for what is missing. So how good is the 7300, and how does it live up to the requirements of converting your slides and negs into digital equivalents.
The OpticFilm 7300 is priced at £145 excluding VAT, and with an even lower price point than its predecessor, I expected to be let down, I was however please by how little was of issue. The 7300 was easy to install and use. Scanning with it is as easy as ever and with the slide viewer embedded in the top of the unit, it was truly a pleasure to work with.
Like the 7200, SilverFast software is bundled with the scanner and it is extremely easy to use. Also included is LaserSoft Imaging’s latest SilverFast SEPlus 6.5 ME image editing software, which provides a powerful scan with high-quality results. Like the 7200i it is relatively fast for scanning clean negs and slides, however scanning times go way up when you try to use silverfast and the annoying muddying introduced in this process is still problematic and give some detail a soft watercolour look.
The scans produced are pretty good, and although I like the ability to select the type of film being scanned although the range of products supported were still not sufficiently expanded to handle all the film types I had in my collection. Like the 7200i, I had to guess on a couple of OEM based film brands and their ideal profiles.
Two film carriers are provided and support both film and slides. I still think the carriers needed to have a more secure fit, still, I found no issues with the resulting scans, because of this.
Unlike the 7200i detail in the highlights and shadows was not blown out, due to the multiple exposure feature. I would recommend this scanner for the enthusiast and amateur who needs high resolution but the dynamic range is still in need of improvement.
For the amateur this unit is a real steal, dedicated film scanners of similar capabilities can cost much, much, more. The 7300's clean looks and ease of use makes it an attractive option.
Cons
Slow scanning in high resolution. No support for larger negs and transparencies.
Pros
Easy to set up and use. Small footprint. High optical resolution and good detail. Surprisingly low price. Multiple Exposure mode is a much welcome addition.
For the amateur photographer who wants a cheap scanner to scan their slides and negs, this unit is a perfect option. It, like its predecessor is easy to install and even easier to use. I highly recommend the Plustek Opticfilm 7300 for the amateur photographer and enthusiast.
Sunday, November 11, 2007
Phil Askey - PMDA Person of the Year
The PMDA (PhotoImaging Manufacturers and Distributors Association) have announced that Phil Askey of dpreview.com will receive its 'Person of the Year' award for 2008. This award will be presented at the PMDA awards dinner just before the PMA show in Las Vegas on 30th January 2008. The PMDA has members such as Casio, Canon, Kodak, Fujifilm, HP, Leica, Nikon, Olympus, Panasonic, Pentax and Samsung. It's good to see the hard work Phil and his team have put into DPReview being recognised by the industry. For more info visit PMDA Congrats Phil...
Silver Oxide Intro Orthochromatic Filter
Silver Oxide, have introduced a new filter which emulates the look of Orthographic film.
Until 1925, Hollywood studios used orthochromatic Eastman Standard Negative stock. Orthochromatic film was only sensitive to the brightest natural light, so large ultraviolet lamps had to be used during shooting. It also registered only blue light, so anything colored red showed up on the film as black.
Silver Oxide produce excellent digital filters which do an excellent job of emulating classic Black and White films. The new generation of SilverOxide filters also work as Smart Filters in CS3. For more info and demos visit SilverOxide.
GWG Photography White Paper on Printing
The int'l Ghent PDF Workgroup has announced the availability of the GWG Photography White Paper. This paper is designed to provide a comprehensive set of guidelines for digital photography print productions for publishers and photographers.
It's a good read ... download it and other papers here.Considering the wide variety in image and file formats, correct implementation of color management and standards is essential to ensure that quality is maintained from the original capture to the final print. The GWG recommends using the guidelines for digital photography projects for print..
Sunday, November 04, 2007
Plugin Galaxy 2
Plugin Galaxy 2 has been released for Windows. This plugin is for creating special effects and enhancing images with the more than 160 basic effects. It is compatible with Windows Vista and with performance improvements it is also up to twice faster than the previous version. It also supports 16bit RGB and grayscaled images, features new Layers and Blend features, which allows you to apply multiple effects to the image in one session and create sophisticated effect combinations that were not possible before. There is also a new batch processing option which can apply the same effect to hundreds of images with just a few clicks. The saving and opening of filter settings as presets is now also supported. Visit The plugin site for more info...
HDR Labs Release The HDRI Book
The HDRI Handbook is now available from O'Reilly Press. This book delves into the niceties of High Dynamic Range Imaging (HDRI) and is filled with practical hints and tips, software evaluations, workshops, and hands-on tutorials. The book also has an accompanying DVD which includes HDRI software. This book was written by Christian Bloch, who is an acclaimed Visual Effects Artist and who has been working professionally in the field for years. His work can be seen in StarTrek:Enterprise, Smallville, Invasion, Lost, 24, and a growing number of movies and commercials. He is a pioneer in the practical application of HDRI in post-production, specifically under the budgetary and time restraints of TV production. Any photographer, CG artist, compositor, or cinematographer would do well to pick this up... for more info visit HDR Labs
Monday, October 29, 2007
Aperture Updated To Version 1.5.6
Apple have announced an update to Aperture. Version 1.5.6 addresses some performance and stability issues and provides compatibility with Mac OS X 10.5 Leopard. Issues that are addressed include minor compatibility issues with iPhoto 7.1, iLife Media and several other performance issues.
Sunday, October 28, 2007
Adobe Photoshop CS3 for Photographers, by Martin Evening
Reviewed by: Mario Georgiou, September 2007
Published by: Focal Press
ISBN: 0-240-52028-9
Requires: N/A
MSRP: US$46.95, UK£29.95
Having reviewed previous editions of books in this series from excellent photographer, Martin Evening, I had come to expect very high standards from this latest in the "... for Photographers" series. Adobe Photoshop CS3 for Photographers doesn't disappoint. Taking you through CS3 in color coded and well formatted sections, it provides an easy-to-follow, in-depth and knowledgeable reference for even the most well-versed digital photographers and imageers.
The book has been rewritten from scratch since the CS2-based edition. Evening does a good job of covering everything that's new in Adobe Photoshop CS3 compared to previous versions of Photoshop, while also looking into the essential features for any imageer and photographer. Adobe Photoshop CS3 for Photographers is firmly positioned as a reference work for the professional Photoshop CS3 user whose main area of work is related to digital photography. The absence throughout the book of any platform bias is also nice, so you'll find almost equal attention paid to both Mac and Windows key bindings and other information.
Each of the 15 chapters takes you through its chosen subject matter from the basics through to more advanced features and applications. Chapters 1-3 are an introduction to the new features and differences that appear in Adobe Photoshop CS3 along with a look at the changes in the user interface. They also feature a look at the basic tool sets and how to use them, which includes a look at Adobe Bridge, drawing tools and some of the basic methods of working with images.
Chapters 4, 5 & 6 look into the process of making adjustments and corrections to images as well as the acquisition of images through Camera RAW and Bridge. They continue with a look at the process of making fine adjustments and image corrections using the healing brush and other tools as well as adjustment layers and layer masks.
Chapters 7 and 8 deal with image retouching and methods of using the tools in CS3 for further enhancing images using layers, cloning and brushes. Layers, Selections and Masks are amongst the most useful and powerful of features in Photoshop and are actually well deserving of an entire book dedicated just to them. One of the most useful examples provided is one where the author has used a sequence of shots of the same scene to remove unwanted people by using the automatic alignment and image stack capabilities. The extraction of image elements using a variety of tools is also quite thoroughly covered and to great effect.
Chapter 9 takes a look at replicating traditional darkroom effects in CS3. Effects such as Solarization, Split toning, black & white from color, duo-tones, infrared emulation, cross processing, and the use of gradient maps. Chapter 10 takes a closer general look at the use of Photoshop's built in filter to further enhance your images.
Chapters 11 and 12 explain many of the intricacies of image and color management. While the former is handled largely through the use of Bridge, the latter is a bit trickier. Although color management can be handled to some extent using software, the use of hardware based calibrators can augment this substantially.
Chapters 13 and 14 continue with a look at the world of output with printing and web-based output both considered in some detail. In the former the different factors affecting the accuracy and longevity of your photographic prints are considered along with calibration and configuration. In the latter the web capabilities of Photoshop CS3 are covered with attention paid to file optimization and types, watermarking and gallery creation.
Chapter 15 completes the book with a look at the powerful automation capabilities built into Photoshop CS3, with coverage of actions, droplets and some of the plug-ins and scripts that come with Photoshop CS3.
Although an excellent and fairly comprehensive title, This volume does suffer due to a timing issue, it doesn't cover the excellent Adobe Capture Raw (ACR) 4.1 update, which was released after the book was published. However, there is an update on the website.
Cons: No coverage of ACR 4.1
Pros: Excellent Layout and information. Comprehensive and with no platform bias. This excellent, well-formatted book and its companion DVD containing video tutorials and extra chapters, serve both amateur and professional digital photographers, imageers and graphic artists. It is highly recommended and a must-have for your reference library.
Published by: Focal Press
ISBN: 0-240-52028-9
Requires: N/A
MSRP: US$46.95, UK£29.95
Having reviewed previous editions of books in this series from excellent photographer, Martin Evening, I had come to expect very high standards from this latest in the "... for Photographers" series. Adobe Photoshop CS3 for Photographers doesn't disappoint. Taking you through CS3 in color coded and well formatted sections, it provides an easy-to-follow, in-depth and knowledgeable reference for even the most well-versed digital photographers and imageers.
The book has been rewritten from scratch since the CS2-based edition. Evening does a good job of covering everything that's new in Adobe Photoshop CS3 compared to previous versions of Photoshop, while also looking into the essential features for any imageer and photographer. Adobe Photoshop CS3 for Photographers is firmly positioned as a reference work for the professional Photoshop CS3 user whose main area of work is related to digital photography. The absence throughout the book of any platform bias is also nice, so you'll find almost equal attention paid to both Mac and Windows key bindings and other information.
Each of the 15 chapters takes you through its chosen subject matter from the basics through to more advanced features and applications. Chapters 1-3 are an introduction to the new features and differences that appear in Adobe Photoshop CS3 along with a look at the changes in the user interface. They also feature a look at the basic tool sets and how to use them, which includes a look at Adobe Bridge, drawing tools and some of the basic methods of working with images.
Chapters 4, 5 & 6 look into the process of making adjustments and corrections to images as well as the acquisition of images through Camera RAW and Bridge. They continue with a look at the process of making fine adjustments and image corrections using the healing brush and other tools as well as adjustment layers and layer masks.
Chapters 7 and 8 deal with image retouching and methods of using the tools in CS3 for further enhancing images using layers, cloning and brushes. Layers, Selections and Masks are amongst the most useful and powerful of features in Photoshop and are actually well deserving of an entire book dedicated just to them. One of the most useful examples provided is one where the author has used a sequence of shots of the same scene to remove unwanted people by using the automatic alignment and image stack capabilities. The extraction of image elements using a variety of tools is also quite thoroughly covered and to great effect.
Chapter 9 takes a look at replicating traditional darkroom effects in CS3. Effects such as Solarization, Split toning, black & white from color, duo-tones, infrared emulation, cross processing, and the use of gradient maps. Chapter 10 takes a closer general look at the use of Photoshop's built in filter to further enhance your images.
Chapters 11 and 12 explain many of the intricacies of image and color management. While the former is handled largely through the use of Bridge, the latter is a bit trickier. Although color management can be handled to some extent using software, the use of hardware based calibrators can augment this substantially.
Chapters 13 and 14 continue with a look at the world of output with printing and web-based output both considered in some detail. In the former the different factors affecting the accuracy and longevity of your photographic prints are considered along with calibration and configuration. In the latter the web capabilities of Photoshop CS3 are covered with attention paid to file optimization and types, watermarking and gallery creation.
Chapter 15 completes the book with a look at the powerful automation capabilities built into Photoshop CS3, with coverage of actions, droplets and some of the plug-ins and scripts that come with Photoshop CS3.
Although an excellent and fairly comprehensive title, This volume does suffer due to a timing issue, it doesn't cover the excellent Adobe Capture Raw (ACR) 4.1 update, which was released after the book was published. However, there is an update on the website.
Cons: No coverage of ACR 4.1
Pros: Excellent Layout and information. Comprehensive and with no platform bias. This excellent, well-formatted book and its companion DVD containing video tutorials and extra chapters, serve both amateur and professional digital photographers, imageers and graphic artists. It is highly recommended and a must-have for your reference library.
Sunday, October 07, 2007
Grubba Software Announces TrueGrain
TrueGrain is yet another example of software dedicated to emulating some of the real world characteristics of film. As you can tell from the name it is a tool designed to recreate the look of film grain. Where it differs, is that it doesn't just use noise with software algorithms to recreate this look, but actively models itself based upon the characteristics of the real world equivalent film type selected.
TrueGrain effectively uses these samples to recreate the look and feel of the film type being emulated. With features like Spectral Response, Dynamic Range and Film Grain controls this is a truly powerful and simple tool to use. The tool looks to be a worthy addition to the arsenal of any digital photographer however it is only available for Mac OS. For more information, to view a video or to download a demo visit Grubba SoftwareThe TrueGrain software contains a library of grain samples and profiles for a number of classic film stocks, some of which are no longer available and are unlikely to be available in the future.
“People have been fooling around with techniques for recapturing the look of film for a while now, but most of these attempts have been tentative and generic in both thrust and result,” said Martin Doudoroff, Grubba Software collaborator. “We think TrueGrain goes quite a bit further through its empirical approach: high resolution film grain samples and meticulous databases of measurements. Our approach is brute force, but it produces the kind of results professionals are looking for. And our software makes it all quite accessible.”
Alien Skin Announces Exposure 2
Exposure 2 has been updated to include even more capabilities to give digital photographs the look and feel of film. With Exposure 2 you have one-click access to the broadest range of film stocks and special effects settings available in any software package.
The variety of films you can simulate with Exposure 2 is truly impressive. With this excellent tool you can match the look of popular film stocks like Portra®, Velvia®, Kodachrome®, Polaroid®, TRI-X®, Agfa® Scala®, GAF® 500, and Kodak® EES.
The capability to emulate the distinctive look of film grain is awesome and has been improved over the capabilities in Exposure 1, Version 2 gives you the most realistic grain on the market, providing you with control over sharpness, colour variation, and intensity throughout the images entire tonal range. Exposure 2’s grain size automatically adjusts to your image size, providing you with consistent and accurate results across all of your cameras.
There are over 300 effects presets in Exposure 2, including push and cross processing, a vastly improved infrared simulator, and sophisticated colour to black and white conversion.
Exposure 2 simplifies your workflow by providing control over colour, dynamic range, softness, and grain control into one easy-to-use plug-in. Use it to correct a colorcast, soften a digital portrait, or tweak contrast with the powerful slider and curve controls. You can also create your own presets that help you define your own signature look allowing you to recall and apply it at will.
For more information and to download a demo, visit Exposure 2
The variety of films you can simulate with Exposure 2 is truly impressive. With this excellent tool you can match the look of popular film stocks like Portra®, Velvia®, Kodachrome®, Polaroid®, TRI-X®, Agfa® Scala®, GAF® 500, and Kodak® EES.
The capability to emulate the distinctive look of film grain is awesome and has been improved over the capabilities in Exposure 1, Version 2 gives you the most realistic grain on the market, providing you with control over sharpness, colour variation, and intensity throughout the images entire tonal range. Exposure 2’s grain size automatically adjusts to your image size, providing you with consistent and accurate results across all of your cameras.
There are over 300 effects presets in Exposure 2, including push and cross processing, a vastly improved infrared simulator, and sophisticated colour to black and white conversion.
Exposure 2 simplifies your workflow by providing control over colour, dynamic range, softness, and grain control into one easy-to-use plug-in. Use it to correct a colorcast, soften a digital portrait, or tweak contrast with the powerful slider and curve controls. You can also create your own presets that help you define your own signature look allowing you to recall and apply it at will.
For more information and to download a demo, visit Exposure 2
ACDSee 10 Photo Manager Announced
ACD Systems International Inc. announced the release of ACDSee 10 Photo Manager. This latest update to their popular photo organization and sharing software includes features which include real-time viewing, management and editing of multiple image files, even in large albums and photo collections. These features combine to make ACDSee 10 the most powerful and affordably priced tool available for seamless integration with photo sharing sites such as Flickr and SmugMug, as well as cameras and other devices.
ACDSee 10 Photo Manager is available for a free 30-day trial and for purchase for $49.99 (USD) at http://www.acdsee.com/. Users can bundle this program with ACDSee Photo Editor for the combined price of $79.99 (USD). Photo Editor is the companion software that helps users of any skill level, enhance photos and create their own digital layouts to print and share.
ACDSee 10 Photo Manager is available for a free 30-day trial and for purchase for $49.99 (USD) at http://www.acdsee.com/. Users can bundle this program with ACDSee Photo Editor for the combined price of $79.99 (USD). Photo Editor is the companion software that helps users of any skill level, enhance photos and create their own digital layouts to print and share.
DxO Optics Pro v5 Software
DxO Labs have announced the upcoming availability of DxO Optics Pro v5, their automatic image quality enhancement software for Digital SLR camera users. DxO Optics Pro v5 sets a new standard for image quality with its new RAW conversion engine. This new version features a breakthrough in demosaicing technology via a completely new demosaicing algorithm which promises to produce images with much more detail and fewer artifacts. “DxO Labs’ approach to demosaicing promises to turn a number of classical solutions on their head: instead of only considering pixels with respect to their direct neighbors, DxO’s new RAW Engine uses a ‘non local’ approach looking much further than is usual from each pixel in the image in order to reconstruct detail. This approach, according to DxO, significantly reduces demosaicing artifacts and performs noise removal directly on the RAW data for best lowlight performance.
Noise reduction is performed upfront, before noise has a chance to be amplified by the RAW conversion process. Combined with other proprietary techniques, the new RAW Engine promises to produce both the most detailed and most natural looking images yet. According to DxO Labs, the new RAW conversion engine has been fine-tuned and optimized with the rest of the software’s automated image enhancement features (optical corrections, colour rendering, exposure optimization, highlight recovery, etc.) to produce best-in class results.
DxO Optics Pro v5 now incorporates a new tool to remove dust and blemishes from any digital image. Once dust and blemishes have been marked by the user, DxO Optics Pro v5 can automatically process any number of images with this particular dust/blemish template.
DxO Optics Pro v5 features a revamped User Interface which promises to improve workflow and ease of use. The tools are organized into four main sections that match the photographer’s approach: Light, Colour, Geometry, Details.
Users of DxO Optics Pro v5 can also customize their workspace to their particular way of working or choose to keep the tool organization of the previous version. DxO Optics Pro’s powerful project and preset functions have also been overhauled for increased ease of use and functionality.
Increased speed and camera support, benefiting from an entire rewrite using Microsoft’s .NET and Apple’s ObjC-Cocoa technologies, DxO Optics Pro v5 will be up to four times faster than version 4.0. DxO Optics Pro v5 for Windows should be available at the end of October 2007, with the Macintosh version available approximately one month later.
DxO Optics Pro v5 will be available in Standard and Elite versions at pricing unchanged from version 4.5: DxO Optics Pro v5 Standard: $169 DxO Optics Pro v5 Elite: $299
Visit DxO Labs online at http://www.dxo.com/
Noise reduction is performed upfront, before noise has a chance to be amplified by the RAW conversion process. Combined with other proprietary techniques, the new RAW Engine promises to produce both the most detailed and most natural looking images yet. According to DxO Labs, the new RAW conversion engine has been fine-tuned and optimized with the rest of the software’s automated image enhancement features (optical corrections, colour rendering, exposure optimization, highlight recovery, etc.) to produce best-in class results.
DxO Optics Pro v5 now incorporates a new tool to remove dust and blemishes from any digital image. Once dust and blemishes have been marked by the user, DxO Optics Pro v5 can automatically process any number of images with this particular dust/blemish template.
DxO Optics Pro v5 features a revamped User Interface which promises to improve workflow and ease of use. The tools are organized into four main sections that match the photographer’s approach: Light, Colour, Geometry, Details.
Users of DxO Optics Pro v5 can also customize their workspace to their particular way of working or choose to keep the tool organization of the previous version. DxO Optics Pro’s powerful project and preset functions have also been overhauled for increased ease of use and functionality.
Increased speed and camera support, benefiting from an entire rewrite using Microsoft’s .NET and Apple’s ObjC-Cocoa technologies, DxO Optics Pro v5 will be up to four times faster than version 4.0. DxO Optics Pro v5 for Windows should be available at the end of October 2007, with the Macintosh version available approximately one month later.
DxO Optics Pro v5 will be available in Standard and Elite versions at pricing unchanged from version 4.5: DxO Optics Pro v5 Standard: $169 DxO Optics Pro v5 Elite: $299
Visit DxO Labs online at http://www.dxo.com/
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